108 AI
This page Vojtek Morsztyn believes it is essential that architects engage with AI, in order to shape the future. His AI Design Guidebook –
€29.99, downloadable from
vojtekmorsztyn.com – explains the process and how to combine traditional sketching and AI
ELON MUSK fears that without risk management, artificial intelligence (AI) could end civilization as we know it, so development should be paused. In an open letter to the AI industry, he said: ‘Should we automate away all the jobs, including the fulfilling ones? Should we develop non-human minds that might eventually outnumber, outsmart, obsolete and replace us? Should we risk loss of control of our civilisation?’ Designer and artist Sebastian Errazuriz believes it is already too late: ‘There is a high possibility that 90% of architects and designers will lose their jobs to algorithms. Architecture is a field that requires years of experience in perfecting the art. AI could develop designs based on a user’s preferences and budgets in seconds.’
Meanwhile, in architecture offices across the world, professionals are cautiously dipping their toes into the AI waters. Patrik Schumacher, studio principal at Zaha Hadid Architects, announced during a roundtable discussion on AI and the Future of Design that the company is using AI text-to-image generators like Dall.E2 and Midjourney to come up with design ideas for projects. While universities agonise over how to catch out students writing essays with Chat GPT, the practice is actively encouraging its architects to accept an AI helping hand. ‘Not every single project is using it but let’s say most – I’m encouraging everybody who’s working on competitions and early ideation to see what comes up and just to have a larger repertoire,’ Schumacher told the panel.
Giuseppe Bono, associate director at TP Bennett, says his company is using a variety of AI tools, and developing in-house versions: ‘Tey are incredibly efficient in automating, augmenting and facilitating working tasks throughout the design and construction process, leaving architects to do what they do best and be creative. AI and machine-learning models allow us to explore and refine ideas during design conception or automate tasks and processes during delivery.’ Longer term, he anticipates: ‘Combining AI with robotics will allow us to open a new chapter in construction optimisation and efficiency.’ ‘When ChatGPT was launched it was a breakthrough moment when suddenly we could see what was becoming possible,’ says architect Keir Regan-Alexander, who recently stepped down as director of Morris+Company to become a new technology consultant to the industry. ‘I immediately thought this was going to be huge for architects because the work is about translating fresh, imaginary ideas into vivid imagery, so the tools have a huge potential. A tool like Midjourney is like having a partner to play against in tennis – you
can bounce ideas off it as if you were workshopping. But if you are relying on AI for ideas you are in trouble.
‘Te things you can do astonish me. I took a photo of a site on my bike ride home, had an idea, drew it in Photoshop then used Stable Diffusion to visualise it with a photorealistic render and integrate it into the photo. It took about 30 minutes, whereas it would have taken two or three days, and it was really fun. What I enjoy is coming up with ideas – I don’t
enjoy the grunt work of CAD or the hours of rendering. I am concerned for the profession but my perspective is, let’s tool-up and have a strategy, rather than being passive. It’s a very competitive profession, and if your opponent has a technology that’s faster and cheaper then it puts you at a disadvantage.’ AI technology is considered straightforward to learn – and for those who have stuck to sketching and outsourcing CAD, it can leapfrog that technology completely. ‘Tis
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141