search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
What did we do


Our current research uses a version of the Copyright Anxiety Scale modified for higher education. Over 500 partici- pants were recruited in 2023 with almost identical numbers from each country. To capture qualitative data we followed up the survey with seven focus groups, five conducted in the UK and two in Canada, to further explore how copyright anxiety


manifested itself and the impact it had on the work of higher education staff. Library workers formed a significant percentage of the survey respondents (57 per cent) and the participants in the focus groups.


Key findings?


The survey found that higher education professionals worry they do not know enough about copyright, with more respondents in the UK (59.7 per cent) reporting this than those in Canada (51.8 per cent) (See Figure 1). Meanwhile more respondents in Canada claimed to be confused by copyright (55 per cent) than those in the UK (46.4 per cent). In addition, 25 per cent of respondents working in higher education in both the UK and Canada said they had avoided or not completed activities or projects in the workplace because of copyright issues. Respondents also reported that copyright hampered or prevented them from doing something as part of their work. Com- pared to the 2019 study, those working in higher education were more likely to report hampering due to copyright, with 39 per cent of Canadian respondents and 50 per cent of UK respondents replying in the affirmative.


The focus groups helped us to understand more about the impact of copyright anxiety.


We found copyright anxiety impacts all aspects of work in higher education, with a clear impediment on teaching and learning activities. For example, many participants reported that their first choice of content could often not be used for teaching, due to copyright concerns. Participants also described delays with research projects. For example, some projects were ham- pered, others abandoned, and it was reported that PhD students can often spend a considerable amount of time dealing with copyright related to the open access deposit of their thesis.


Unsurprisingly, library services are also impacted by copyright anxiety. Participants described items that cannot be digitised, services that are curtailed, and librarians that spend an unreasonable amount of time trying to resolve copyright issues for their colleagues.


Copyright anxiety manifestation During our focus groups we tried to under- stand how copyright anxiety manifests and discovered a number of themes in the data including:


l Copyright causes frustration;


l copyright causes discomfort when library staff feel like a gatekeeper;


l copyright causes discomfort because of the uncertainty;


Autumn 2025


INFORMATION PROFESSIONAL 45


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70