n Instead of dividing the upstairs into two rooms using partitions, the architects created a cinema pod
More like an artist’s studio or an experimental laboratory than a place of display, the building takes advantage of the original pier building's daylight and the water of the bay for cooling, and uses materials that are both sustain- able and durable enough to withstand a harsh maritime climate. The goal is for the Exploratorium to be the USA's largest net zero energy museum. This, combined with the Exploratorium's reputation as a hub of innovation, will make the building an industry model for what's possible in energy efficiency. A promenade encircling Pier 15 and an outdoor plaza between the piers enables free interactive outdoor exhibits, Exploratorium explainers,
ISSUE 3 2013 © cybertrek 2013
captivating the general public and pas- sers-by with the direct experience of the surrounding bay and the city. This experience begins at the water’s edge to a point 820 feet off-shore. (Pier 15 is the length of a New York City block, avenue to avenue) The plaza and the hum of activity is the new marquee – no signage required.
Can you give some more details about the sustainability of the building? We designed a building that incorpo- rates many energy-efficient elements aimed at producing all of its energy needs on site. For example, the 1.3-megawatt photovoltaic array on the
roof is equivalent to powering 1,000 average American homes over the course of a year, or removing 5,900 automobiles from our highways. Bay water is brought in and run through a heat exchanger to affect the tempera- ture of a separate closed freshwater loop running through the floor. This second loop contains 40 miles of plas- tic pipe moving over 73,000 gallons per hour to change the temperature of the space. Less overhead ducts were required as a result. All new windows use high perfor- mance triple element glazing to better insulate the building and admit copi- ous amounts of natural light, further reducing reliance on electricity. Sixteen
Read Leisure Management online
leisuremanagement.co.uk/digital 29
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84