Design Trade
Jacqueline Nicolas Co. Architectural Imported Hard-
ware: “Having the right hardware on kitchen cabinetry is akin to wearing the right jewelry with fine clothing,” Bross com- ments. For more than 20 years, Jacqueline Nicolas Co. has been adding charm to clients’ homes using European hinges, knobs, door handles, lighting and accessories. Nicolas found- ed her studio after several of her residential design clients re- quested the addition of some “magical charm” to their homes. Tracie Butler, founder of Tracie Butler Interior Design in
West Hollywood, California, selected hardware from Jacque- line Nicolas for a kitchen installation. Butler used contem- porary polished nickel pulls and knobs for the wall cabinetry and antique oil-rubbed bronze pulls and knobs on the island. The hardware selection for the island gave it a “more vintage feel,” according to Butler. “They went beautifully with the dis- tressed painted finish,” she points out.
Dana Creath Designs Lighting: Bross selected the light-
ing line by Dana Creath Designs because each fixture is “hand- made in the U.S. with multicoat and hand-applied finishes to provide the necessary durability.” Inspired by the timeless de- signs of European antique fixtures, each Dana Creath Designs piece is made using Old World metalworking techniques. Gris- dela adds that this lighting was perfect for the client who has an appreciation for quality workmanship with a classic elegance. Interior designer Corinne Brown, owner of The Finishing
Touch in Mammoth Lakes, California, specified Dana Creath Lighting for the bathroom of a home she designed in a moun- tain resort community in the Sierra Nevada. She believes that what really makes a bathroom personal is the lighting and loves this line for “its high quality, good finish and customiza- tion options. “
Hollywood Sierra Kitchens 70
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128