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I’d say I started about three years ago and I consciously told myself not to put it out before I was entirely happy with it. Tat would seem like an obvious thing to do but in the past I’ve tended to get bored and just sort of said that’ll do, let’s put it out. Also there have been economic pressures to put out an album; these days there are economic pressures to not put out an album! Don’t just throw your money away! It’s got to count! But I still want to make records because I still feel like I want to, and I’ll just do long tours to pay for it! Tere’s a bit of a historical slant to the album, with songs about the foreign legion, Catherine the Great and Napoleon. Is history something you’re particularly interested in? A little bit. I don’t know quite how that happened! I suppose things occur to me and I think that’s cool, and I put it in. Tere’s no reason for it, it’s just a way of talking about stuff whilst not talking about it at the same time. I’m not trying to hide anything I just thing people would get terribly bored if I just said it straight out. I get a little frustrated with overly sincere lyrics. Te final track on the album, Te One Who Loves You in an excellent track – it feels like it’s straight from your heart and is less lyrically complex than some of your other songs. You write some truly beautiful love songs but they are generally done in a very self deprecating and coy manner. Do you find you use humour to hide your true feelings in your songs? Partly, like a lot of Irish people do, but also I don’t use humour deliberately, it just happens in the songs because it’s a way in which we communicate really. Also, I find a lot of stuff funny that maybe other people don’t. I find people funny, how they act, and I find myself funny. Tat sounds terrible, like I laugh at my own jokes, but no, I’m amused by how stupid I can be. I don’t necessarily use it to try to hide fact quite often I use it to explain things. Other People is an intriguing number, very different to the other songs. How come you decided on the unusual form of this particular song? It’s a weird one because I wrote the words in a hotel room in London, came up with a tune and needed to just put it down before I forgot it so I sang it into my phone. When I listened to it again six months later I thought it sounded pretty cool, the vocals sounded good, and I couldn’t think

“Whenever a new National Express CEO came on board they’d say “we should get get that fella who wrote the song!”.

of ay other words! So I thought wouldn’t it be funny if I put that alongside a 30 piece string ensemble. And it worked! I’m sure I can hear a donkey on How Can You Leave Me On My Own? Yeah, that’s Wayne. We have a couple of donkeys in our vast menagerie of animals, and Wayne had already wheedled his way in to that song – I could hear him braying when I played the song back when I was recording it at home. I though to myself well that kind of works thematically with this moany song! So I went and shook some food in his general direction and recorded the results. You’ve done some sterling work for TV shows and films including My Lovely Horse from Father Ted, So Long And Tanks For All Te Fish for the Hitch Hikers film and also the theme to Te It Crowd. Which TV theme do you wish you had written yourself? Oh god…umm. Tere are some fantastic themes from the golden age, but I’d love to have written a Reggie Perrin, or Some Mothers Do ‘Ave ‘Em, or another sitcom from the 70’s. I kind of miss those themes these days – I feel like modern TV, and comedies especially miss having a hook. Tey tend to be just a 10 second splurge of noise and it’s just completely unmemorable. Tey did these things for a reason in the old days, and it wasn’t a bad idea! I have to ask about the song National Express – it is of course a favourite of mine. Did National Express ever approach you to ask if they could use it, because if they didn’t that was a mistake. Well they did on a regular basis over four

or five years. Whenever a new National Express CEO came on board they’d say “we should get get that fella who wrote the song!”. Ha ha ! We’d entertain their proposals for a while and then would always baulk. We don’t need the money that much and it changes the way people hear the song if you attach it to the product. So we never did. I’ll keep it as a little nest egg. I think you are loved and admired for the fact you don’t take yourself too seriously, but also you take the band very seriously, to the extent that it has survived major line up changes, when at times only you were in the band! What keeps you going through the tough times? Although some of the band formations were more ‘band-like’ than others, at the end of the day it’s always been my band, I’ve written all the songs and said what everybody should do. Sometimes they didn’t listen. But I have gone through many formations..when I broke up the ’96-2002 band I thought there’s no point in really having a band as such so I’ve formed groups out of musicians that I know and trust in London. We all get together every year or so and it’s fun but they all have loads of other fact sometimes it’s very hard to get them. Which of your new songs are you most looking forward to playing live? I’ve had a crack at most of them already and they’re hard. How Can You Leave Me On My Own..I just can’t get the lyrics in the right order no matter how hard I try! For some reason those listy-type ones sometimes get all mashed up in your brain, but I’m sure I’ll have mastered them by the time I get to you! You recently sang at the Bowie Prom at the Royal Albert Hall. What was that like? Tat was great, I really enjoyed it. Basically it took me by surprise – they rang me up the Monday before the gig and I think other people had had time to realise that Station To Station was virtually impossible to sing. “Get that Neil Hannon, he’ll have a go!”


> INFORMATION Te Divine Comedy play at Open on 22nd October. Tickets available from Read this interview in full online at / October 2016 / 13

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