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instruments typically fit with various styles of music. Integrating music history within your curriculum may be easier than you previ- ously thought. In fact, you may already be doing many of these activities. A quick music history lesson can be as easy as sim- ply informing the students of what they are hearing and how old (or new) the date of the piece. Use a variety of genres, textures, and timbres in your listening examples and challenge students to identify specific as- pects of the music to keep them engaged while listening. You will find students will be very interested in composers, their lives, and their music especially if you, the teach- er, are excited.


April Stephens serves as Assistant Professor


of Music Education at Campbellsville Univer- sity. She can be reached at astephens@camp- bellsville.edu


References


Abril, Carlos R. (2006). Music That Represents Culture: Selecting Music With Integrity. Music Educators Journal, 93(1), 38-45.


Bach, J.S. (2002). Ich ruf zu Dir, Herrjesu Christ, BWV 639 [Recorded by Christopher Herrick]. On Bach: Complete Organ Music [AAC Audio File]. Hyperion.


Byo, Susan J. (1999). Classroom Teachers’ and Music Specialists’ Perceived Ability to Implement the National Standards for Music Education. Journal of Research in Music Education, 47(2), 111-123.


Copland, Aaron. (1999). What to Listen for in Music. New York: New American Library.


Ellington, Duke. (1999). Love You Madly [Recorded by Barbara Sutton Curtis]. On Old Fashioned Love [AAC Audio File]. Sackville.


Ferguson, Laura. (2004). Putting It Together: Integrating Jazz Education in the Elementary General Music Classroom. Music Educators Journal, 90(3), 28-33.


Haydn, Joseph. (2004). Symphony No. 94 in G Major, “Surprise”: II. Andante [Recorded by Leonard Bernstein and Wiener Philharmoniker]. On Bernstein: Haydn [AAC Audio File]. Hamburg: Deutsche Grammophon GmbH.


JANUARY 2014


Joplin, Scott (2003). The Entertainer. On The Entertainer: Classic Ragtime from Rare Piano Rolls [AAC Audio File]. Shout Factory.


Marley, Bob. (2004). Three Little Birds. On The Best of Bob Marley and the Wallers [AAC Audio File]. Music International B.V. MENC. (n.d.). The National Standards for Music Education. Retrieved February 6, 2011 from http://www. menc.org/ resources/view/national-standards-for- music-education.


Verdi, Giuseppe. (1998). Un Di, Se Ben Rammentomi [Recorded by Cheryl Studer, James Levine, Luciano Pavarotti, Metropolitan Opera Orchestra & Vladimir Chernov]. On Verdi: Rigoletto [AAC Audio File]. Hamburg: Deutsche Grammophon GmbH.


&


2014 NAfME Music Research & Teacher Education National Conference


This conference is designed for the needs of the higher education and research communities. It will provide a forum for music education researchers (SRME or


SRME-SRIGs), music teacher educators (SMTE), music program leaders/music administrators/curriculum specialists (CMPL), and all interested NAfME members to consider current research and pedagogical innovations that will shape the future of the profession.


Don’t miss the keynote speaker, Daniel Levitin, at the Conference opening on April 10, 2014. He is an award-winning scientist, musi- cian, and record producer and is the author of the number one best seller This Is Your Brain on Music, which was published in nineteen languages and spent more than one year on the New York Times best seller list. His newest book, The World in Six Songs, topped the bestseller lists in its first week of release.


Plan ahead and save the date! April 10–12, 2014, St. Louis, Missouri. http://musiced.nafme.org/events


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Music Education • Orchestrating Success


TEMPO


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