This page contains a Flash digital edition of a book.
52 jewellery & metal design minimum requirements are given on page 44.


why study at dundee? Jewellery and metal design aims to provide an intellectual and creative stimulus which encourages debate concerning aspects of perception and aesthetics; to create an awareness of the social and historical context of jewellery and metal design; and to encourage innovation and excellence.


We will encourage you to use your drawing skills to develop your ideas and will give you the confidence to expand your creative thoughts about jewellery, fashion and small products. The course will teach you about the history of jewellery and metal design while also making you aware of current design trends. You will use our workshops to learn about new materials and techniques and will develop your own unique personal working philosophy and style.


By the end of the course you will be able to confidently and creatively use a wide variety of materials, use workshops to design individual jewellery, fashion and small products and use the skills you have gained throughout the course to develop your own unique style.


You will also have the opportunity to take part in an overseas study trip and will be able to enter competitions and hopefully win awards. You will also showcase your work in a final year exhibition.


employability


Our graduates have gone on to have successful careers in a number of different fields, including: • self-employed artist/designer • designer to fine or fashion jewellery manufacturers • designer of small products • management within the jewellery trade


• designer of effects in theatre, cinema or television • specialist posts within museums and galleries • lecturing and teaching in craft, design & technology.


teaching and assessment


Learning occurs within a dynamic open studio environment where social interaction, peer and group learning and inter-year participation contributes to a stimulating environment. You will learn through a combination of workshops, lectures and self-initiated projects.


what our graduates are doing


Lynne MacLachlan graduated in 2008. She completed her MA at the Royal College of Art and is now a freelance jeweller. She has exhibited her work in Lab Craft, a Crafts Council touring exhibition which features the work of 26 of the most experimental names in craft and design.


programme content • typical degree programme example BDes Honours degree


Advanced entry BDes Honours degree


Level 1 > Art and Design (General Foundation) – see pages 44-45


Level 2 > Learning Design through Making


> CAD: An Introduction to Computer Aided Design


> Design History, Theory and Practice


> Life Drawing


Level 3 > Theory and Professional Practice


> Overseas Study Trip


> Optional European or International Student Exchange


> Design History, Theory and Practice


www.dundee.ac.uk/prospectus/artdesign


Level 4 > Degree Project and Mission


> Design History, Theory and Practice


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160