ShowBiz Feature
Pink Birches
nuances of the mouth and eyes that make every work of art unique and goes hand in hand with his commitment is to capture the vitality of the subject in each picture he creates. Looking to find shades of all the different colors and textures within the pages of the magazines them- selves, he then cuts these chunks and pieces out to create each portrait. Speaking about his art, Sam is direct, open and thor-
ough in his answers and explanations, very much as he is in any conversation. • What types of materials are used for your collage artwork? I adhere magazine pieces with an acrylic polymer emul- sion onto an acid free gallery quality canvas.
• Does your artwork last? It is important for my work to last for generations. Let me tell you about my process to preserve the work that I do: First, my work goes on acid-free, gallery quality can-
vases. Because I use everyday magazine clippings to cre- ate my collages, I use something called polymer emulsion which is a clear acrylic paint that goes on the back of the magazine paper, as well as the front of the work. This acts as a way to seal the magazine pieces from any oxidation that takes place that would potentially corrode the paper. This process allows the paper to resist any damage from humidity or climate problems. When I am finished with a particular art piece and the glue dries, I go over the artwork with a glaze of UV protective gloss that is ap- plied on top of the acrylic paint that helps to reflect potentially harmful sunrays away from the picture. As with anything valuable- constant direct sunlight can be harmful for long periods of time. I have been making collages for over ten years, and because I have been using this UV gloss, my work is unharmed by sunlight. • How do I commission a piece of art- work? The original photograph is crucial to
the success of a commissioned portrait. To get started people can send me photos either through email, my contact page, or regular mail. Digital images need to have high resolution. The photographs should be well-lit and in-focus. • What canvas sizes do you offer? My work lends itself to be shown in
a large format, that allows me the best ability to express the artistic depth of each subject as each portrait contains
Andalusian Profile 80
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100