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point-to-point communications, ideal for mid-to-large HOWs that require more flexibility and users. Wireless intercoms are often used in concert with wired intercom systems, adding mobility to virtually any sized facility.” Headquartered in Utrecht, the
Netherlands, ASL Intercom BV has latterly added both wired and wireless digital systems. “We wanted to design a system which is easy to set up and to operate,” explains Eric de Bruyn, managing director of ASL, of the new digital series. “Theatres and churches, for example, appreciate that many different configurations can be stored and that switching from one
worship events become more complex, full duplex operation is being asked for more and more.”
STEREOTHEISM HOWs are also media hubs, embracing so much more than sound reinforcement. Steve Oppenheimer of PreSonus confirms that it’s the best entry- level market out there. “Recording in stereo is simple: church volunteers just set two mics at the front of the stage, usually in an XY pattern, pointed at the worship band and podium,” he
iPad control is proving popular in the HOW sector
strengthen its long-term position by focusing on niche market verticals, particularly the house of worship market. “We are fortunate to have
“As well as old, stone architecture we’re finding new churches in a huge variety of modern buildings, so you need to set your acoustic image exactly where it wants to be. No, you cannot predict an infinite number of variables, but you can set up for the majority” Mick Anderson, Coda Audio
configuration to the other is fast and simple. Operating the system does not require special knowledge or training; the configuration software and the controls on user stations are self-explanatory.” UK-based Canford Audio has come up with Tecpro Wireless, aimed at small to medium-sized theatres as well as a whole range of venues including HOWs. “Providing operators show a degree of discipline,” says Mike Reay of Canford Audio, “they are a cost- effective solution. However, as
MIDDLE AGE SPREAD
Oxford college chapel whispers ‘Harman’ very gently
With user manuals and other technical documentation also supplied in Latin, Oxford University’s New College – one of the oldest, of course, from 1379 AD – has installed multiples of JBL’s discreet Control 52 satellite speakers under the pews. Classical recording specialist About Sound also delivered complementary devices from fellow Harman brands Crown, BSS Audio and AKG. All Harman Professional components were supplied by Sound Technology, its exclusive UK and ROI distributor.
Originally briefed to set up a recording facility for the college’s famous choir, About Sound was then asked about amplifying the spoken word. “The college had been spending a fortune on rental PA
says. “The recording system is not usually tied to the house mixer. This method is tried and true if they need to keep the recording system simple and portable, say for a mobile church or a very small congregation. A simple stereo mic pair also works well for recording a choir.” It also extends to post-
production, CD and DVD duplication, live broadcast and an ever-growing internet presence. Global broadcast, AV and new media solutions company TV Magic announced plans last year to
in-house experts and committed strategic partners who are focused on extending TV Magic’s reach into the house of worship and broadcast ministry markets,” said Stephen D Rosen, TV Magic’s former president and CEO. “We’ve seen a steady increase in business across these two markets.” ‘TV Magic’: what an appropriate
name for the amazing technology of streaming and satellite distribution now reaching worship. But then, like so many theatrical things, it’s all an illusion. n
for the larger events,” says About Sound’s technical manager, Richard Bland. “To have speakers on sticks brought into a building as eminent as this was not aesthetically ideal and the sound couldn’t be described as intimate or discreet.”
The Control 52s are processed and controlled within BSS Soundweb London, comprised of a BLU 100, with a fixed configuration of 12 inputs and 8 outputs,
two BLU-BOB breakout boxes providing necessary output expansion and BLU-8 wall-mount controller for selecting basic presets. A custom touchscreen interface has also been designed. Around 100 of the speakers have been locked onto custom brackets and mounted behind the pews on oak-stained plywood, their abundance allowing each one to be driven at much lower levels. “It gives an almost mystical effect,” Bland says.
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