Step 5- In my system of painting murals, I use a very small percent- age of opaque colors and mostly use all transparent colors. So, in the next stage I start applying my colors of the beast. Most of him will be the Auto Air Red Oxide formulated for my Real Fire system. This will be followed by the Transparent Yellow in random key areas.

Steps 6- Once I have laid all the Transparent Red Oxide and Trans- parent Yellow throughout the demon, I then cover him with clear contact paper. This is what I have always used in place of Frisket film; I find it is much cheaper and it has always worked just as well.

Step 7- Now that the guardian of the deep is covered I be- gin to layout my Real Fire all around him and create his toasty warm surroundings, I do this using my Real Fire Stencils.

Step 8- Once I have laid out all my initial flame work, I coat over my flames with the same Red Oxide I used to coat the demon. When applying this color you want to work it on in layers until you reach the full potential of the color. I

concentrate on mostly going around the outer edges and blending the fire into the black background. This leaves the light area toward the hotter center of the flame. Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32