HOTEL REVIEW HOTEL PULITZER
ABOVE: The monochrome interior of the lobby ABOVE RIGHT: The Visit restaurant features white
leather banquettes, and Stant chairs designed by Lázaro Rosa-Violan for Contemporain Studio
wooden tables. A small central bar is surrounded by opposite is the compact gym with Kinesis equipment HOTEL PULITZER ROMA
such island seating areas, defined by thick, beautiful from Technogym. OUT Via Marconi, Rome, Italy
rugs to provide good separation which combine to A common thread throughout the hotel is the Tel +39 065 985 91
create the bar’s atmosphere. An unusual touch is artwork. All works have been produced by Rosa-Violan, www.hotelpulitzer.it
the fronting of the walls beneath the windows with the customisation seen in the exact fit of four- or
framed, facetted mirror panels serving to leave hardly five-panel assemblies above beds, in alcoves and so „ 83 Guestrooms (64 standard, 15
any wall space untouched yet not in any way being forth. Usually framed in burnished brass, the simplistic single, 4 superior)
overbearing. More furniture from Rosa-Violan, this style has a largely geometric and abstract flavour EXPRESS CHECK ‰ Visit Restaurant
time the Flamart bar stools, join with other unusual following in the footsteps of the Gio Ponti school  Visit Cocktail Bar
furnishings (tree trunk and glazed ceramic low stools) and the Futurist art of post-war Italy. The range of + Meeting rooms & gym
and light fittings to build the sophisticated aura. The inspiration for the artwork is indicative of the mélange
rear wall is covered with a glazed wooden bookcase of styles across time and geography (Europe and Asia)
making plain the literary associations of the hotel’s that have nevertheless been combined to express a
name. The lounge looks onto a small courtyard, where coherent design style for the Hotel Pulitzer.
078 MARCH / APRIL 2009 HOTEL REVIEW VISIT WWW.SLEEPERMAGAZINE.COM FOR MORE HOTEL REVIEWS
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140