This page contains a Flash digital edition of a book.
INTERVIEW JORDAN MOZER JORDAN MOZER INTERVIEW
JORDAN MOZER
efore the iPhone, Jordan Mozer used to (JMA) that has been conveniently self-perpetuating. believes that designing the whole project, including
B
carry around a little book made up of 4”x “My clients want successful spaces so I need to keep the kitchens, allows JMA to offer a better product and
6” photos that he would flick through them happy to be able to do more cool spaces,” he is more representative of their holistic approach. But
when describing his different projects. Cross-cultural rationalises. Success stories such as the East Hotel in as long as he can have control over the relationships
references would flow thick and fast as he jumped Hamburg (Sleeper Spring 2005) where the F&B area between different spaces he is confident of solving
from Jung to Popeye, Freud to Cinderella. Now he was estimated to bring in �3m per year and is actually the project in terms of budget, time and functionality.
draws his finger across the screen, scrolling this doing �16m. Where the guest rooms were expected to
way and that, taking you across the world via the breakeven at an average rate of �100 per night but are “Then I look at what is missing in the context,”
touch screen. Ideas and inspiration fly – a sketch of averaging �260. continues Mozer. “We take ideas and follow through
a piece of paper blowing along the street, his pet on them. We want there to be a narrative, a drama, to
pig Clemente, die cast factory parts, talk of knitting So what’s the secret? “First we solve the rationale what we are doing. Some of it is architectural, another
and acid baths. It’s a whirlwind of references and issues, the operations and deal with the building code. layer is the surfaces. Another layer is the objects you
cross-references, of subtle adaptations to the spatial We want to make sure the space will function,” says actually come into contact with. We look at each of
mythology that evolves a narrative for each project. Mozer. Cooling, acoustics, escapes and disabled access these to see how they support the story.” Take the
are all considered, as are the efficiencies. Food must Copper Bleu restaurant in Lakeville, Minnesota, “where
“My personal goal is to design really cool spaces. be able to get to tables hot. How to deal with the sculptural elements of the rolling landscape are taken
That’s what I get a kick out of,” explains Mozer. It delivery of food products in and garbage out. into the structure.”
is seemingly a simple process for Mozer and his “This has been learned by working with operators and Or East in Hamburg where Mozer developed
Chicago-based office, Jordan Mozer & Associates getting yelled at for 24 years,” Mozer submits. He references from the building’s former use as an iron
034 MARCH / APRIL 2009 INTERVIEW VISIT WWW.SLEEPERMAGAZINE.COM FOR MORE INTERVIEWS VISIT WWW.SLEEPERMAGAZINE.COM FOR MORE INTERVIEWS INTERVIEW MARCH / APRIL 2009 035
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140
Produced with Yudu - www.yudu.com