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graffiti they should partner with us and movement. Every good and bad idea. me at the time or what I am feeling or
work together on finding solutions to cre- Every small and big event. Music. Nature. going through, where I am at, where I am
ate a public space somewhat similar to the Movies. Art. Family. Etc. painting, who I am painting for and with
Belmont Tunnel. It’s almost like they should whom I am painting.
give us our own sub LACMA. Would you make a distinction between
artists whose work centers around stylistic What issues in the work are most
How did you become an artist? interpretations of their street names and important to you?
Since a young kid, I have always doodled, artists whose work conveys a political or Technique, letter composition, legibility,
drawn, sketched and so on. I just did what social message? detail, change. A pet peeve I have is
came naturally to me without thinking Well, aside from the aesthetic value in repetitiveness so I try to change my stuff
much about it. But the truth is I don't even one they both have the same objective— all the time. Yes, it is not always going
really consider myself an artist. to promote something: a belief, a name, to happen but for the most part I try to
an idea, an item, a feeling, a traumatic change it up. I know also one defines their
What events or ideas have most shaped event, etc. style by repeating the same thing but
your work? there’s a thin line between redundancy
Everything has. Everything experienced, How do you approach your own work? and being creative with one’s style.
witnessed, lived, seen. Everyone met. I approach each work I do differently so I
Everyone known. Every liked and disliked. have no set ways or standard approach. It What message do you want the casual
Every feeling. Every loss and gain. Every all depends on what or who is influencing viewer to come away with after seeing
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