search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
UK FILM STUDIOS


PRODUCTION


five workshops, offices and dressing rooms followed in 2023 with the 40,000 Sq. Ft. Stage 4, the 20,000 Sq. Ft. Stage 5 and Stage 6 also at 20,000 Sq. Ft. built along with further workshops and offices. December ‘20 The University of Reading enters into an agreement with LA-based film studios investor Commonwealth Real Estate LP, for a long lease of land at the University’s Thames Valley Science Park campus, Berkshire, which will see the development of a major film studios and creative media campus, Shinfield Studios, opening 2022. December ’20 Works start on The Northern Studios at The Northern School of Art’s Hartlepool campus for a 30,000 sq. ft. film and television studio development. October ‘20 The Tank Factory studios in Acton, West London opens the first of its four studios with the final three available from later in the year. The four studio spaces range from 3,000 to 5,400 square feet. October ‘20 The Welsh Government confirms that media investment business, Great Point has entered into an agreement to lease and manage Seren Stiwdios (formerly Pinewood Studios Wales) near Cardiff. Seren has four large stages totalling 74,000 square feet, in addition to production office and ancillary space. September ‘20 Space Studios in Manchester unveils plans for a second expansion of the West


the pursuit of love


to the COVID-ravaged commercial office space sector or another new out-of-town shopping centre when everyone’s shopped online for a year.


VIRTUOUS CIRCLE Investors and studio operators are generally pushing on an open door when it comes to government too, both local and national. Because alongside the need for more affordable


housing, a studio development has big attractions for local and regional government. “When a developer or a landowner comes to a local authority and says, ‘we want to do this’, the local authority is not just looking at the land value, they’re looking at how they are going to get more employment for their


the wider gva impact of having a studio operating is pretty well documented


communities,” says Wootton. “And a studio looks like a much more useful investment that’s going to provide opportunities and training for young people and potentially people who’ve been made redundant from other industries.” A studio “delivers highly skilled jobs to local


communities,” says Page. “And the wider GVA impact of having a studio operating is pretty well documented in terms of the spend in the local community. The impact on the wider economy is pretty good from having a studio operator in your geographical patch.” The stars have aligned, and the opportunity is


there. But, says Wootton, “the danger is, we don’t grab that opportunity. The danger is we don’t support the building of these studios and make sure they’re fit for purpose, they’ve got the appropriate crew, they’re environmentally sustainable. That we don’t train the right people that we don’t engage the young, diverse communities of the UK.” “Let’s not pat ourselves on the back. We are


doing well. But let’s keep on pushing, because otherwise, other people will eat our lunch.”


A PEOPLE BUSINESS And that’s the elephant in the room. The UK can build as much studio space as it needs in time to grab the opportunity, kit can be manufactured.


Summer 2021 televisual.com 77


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116