search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
UK FILM STUDIOS


PRODUCTION


the crown


into a facility that has a specification that will appeal to that type of customer.” Any shortcuts in spec will mean “in three- or four-years’ time, when a lot of the off-the-ground stuff comes into the marketplace, productions are going to have their pick of facility. At that time, you don’t want to have picked the wrong warehouse and under cooked the specification because you’re just going to be like the last chicken in Sainsbury’s.” With so many plans in the offing, there is now


talk that we may end up with over capacity. “People have started talking about the so-called saturation,” says Read, but “presently there is approximately 3 million square feet of space available here in the UK. About 50% of that is what we define as subprime studio space, so-called set build space without any of the trimmings, so in essence there is only 1.5m square feet of turnkey studio space. That is essentially already being used so is off the market. We estimate the shortfall is in fact closer to double that, especially as demand continues to increase. This is where the opportunity sits.” Also, says Read, “Bear in mind Pinewood and


Shepperton have effectively been taken off the market (due to exclusive leases to Netflix and Disney) and likewise the big existing and planned sites like Leavesden and NBC / Sky Elstree are highly likely to be filled by their own productions. So, there is


a debate as to how much new capacity they will create.” But the UK will continue to attract work to


its shores, says Wootton. “If you talk to those in the States, they’ll say to you, ‘your tax credits are brilliant. You have an incredibly competitive and clear and transparent system in operation.’ They love working with the talent, they love the infrastructure, they admire and respect the visual effects. And so they know they’re going to get a package that really is second to none. And so we’ve just got to keep pushing the envelope.” And studio operators will deliver for that demand.


But the studios market is being changed by the changed nature of that demand from incoming


i think there will be pressure on space


despite these expansions


2 with Sound Theatre 1 to follow as part of the site’s £15m redevelopment works. April ‘21 Property developer Bidwells submits plans for Hertswood Studios on a 90-acre site near Sky Studios Elstree and Elstree Studios in Borehamwood. Plans are for 1m sq. ft of stage space across 21 stages. March ‘21 New Liverpool studio space The Depot starts taking bookings. The Depot is a temporary facility to capitalise on the current demand for studio space until the nearby Littlewoods studios scheme is complete. March ‘21 Barking and Dagenham Council agrees a further deal with Hackman Capital Partners (HCP) on a another state-of-the-art studio in the east London borough. HCP and Square Mile Capital had already announced plans to build Eastbrook Studios – the capital’s largest film and TV production centre – in Dagenham. Eastbrook Studios London will have up to 12 sound stages. The studio will be fully operational by 2023. March ‘21 New west London studio facility, Garden Studios, expands by a further 65,000 sq. ft, providing a total of 127,000 sq. ft of studio space, more than double the original site. The new site has two shooting spaces (totalling 40,000 sq. ft) and a 16,000 sq. ft workshop. This is in addition to the already existing three soundstages, three shooting spaces, four


Summer 2021 televisual.com 73


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116