97
courtesy of the horological tourbillon de- vice – which Bugatti says evokes ‘a sense of peerless quality, craſtsmanship, and techni- cal ability’. The tour prompted a member of the team to suggest ‘Tourbillon’ for the name of the new Bugatti model– and it stuck. The combination of its V16 engine with a
hugely powerful hybrid system and innova- tions such as instruments designed by Swiss watchmaker Concepto and the speaker-less sound system ‘make the car so attractive that it was sold out before it was even shown to the public’, Rimac says. He adds: ‘We’re blessed: our customers
are willing to pay so much money for cars that we can do this automotive art.’ At the same time, he notes the decision to start with a fresh sheet of paper for the Tourbil- lon, ‘doing everything from scratch’, was a
huge gamble. ‘That is the biggest risk; there are no more deep pockets [of VW]. We have to be self-sufficient and finance completely on our own.’ That completely new V16 hybrid power-
plant from scratch is no mean feat. ‘A com- bustion engine needs to be as emotional as possible, and an emotional combustion en- gine is naturally aspirated,’ Rimac explains. ‘No turbos mean less power, [but] I knew that we could make a very strong hybrid sys- tem to make up for that. I was like, “OK, we can get 800 horsepower [from the electric motor]. The Chiron was 1,600 so we need at least 1,800. So the combustion engine needs to be 1,000.”’ He put in a call to Bruce Wood, managing
director of UK engine specialist Cosworth Powertrain. ‘I said, “Hey, I’m not sure if you
ever heard of us.” He was like, “Yeah, I heard of [you].”’ Rimac wanted a non-turbo 1,000 horsepower V16, and gave a timeline. Wood said words to the effect of ‘no problem’. ‘They just did it, we [ran] prototypes for [18 months], never had an engine failure. They did a fantastic job.’ And so began a fruitful partnership. What’s next for the brand? Well, there’s
the prospect of more one-off coachbuilt cars – but the big picture is Rimac’s detailed 10-year plan. ‘We know exactly [what] we want to make in 2031 and 2032,’ he states confidently. What can we expect? In one sense, the answer is simple: ‘Higher in ex- clusivity, higher in perfection.’ A new era has begun. If the Tourbillon is
anything to go by, watching it all unfold will be a lot of fun.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116