We had the privilege of conversing with Guti and delving into his exciting new project, where we immerse ourselves fully in the heart of the


El Nuevo Sonido Latino. In an analogy with the


avant-garde movements that emerged in the early 20th century, Guti’s latest project is unquestionably an artistic statement in every


sense.


From the beginning of our conversation, it became clear that Guti is an artist who radiates an uncommon musical richness. It’s difficult to pigeonhole him simply as a DJ or producer; rather, we should consider him a multidisciplinary artist.


In reality, we are


in the presence of a musician who ventured into electronic music over fifteen years ago and offers us exceptional musical richness, whether as a producer, DJ, or


musician.


El Nuevo Sonido Latino is not about fighting giants or breaking with the established; it does not seek the utopia of dominating all the charts. Its goal is simply to bring something new and authentic to the music scene, offering this fusion of artists based on the concept of the Jam Session to a wider audience.


This versatility


distinguishes Guti and his new project, and this uniqueness is palpable from the moment he starts talking about the birth of the “El Nuevo Sonido Latino.”


“We are at a moment where, on one hand, I


occupy an unconventional place in the music scene, given my diversity of musical influences. On the other hand, during the pandemic, I rediscovered the possibility of experimenting with my Latin roots.”


It is in this stage of experimentation that Guti immerses himself in the richness of Latin roots, seeking alternatives to the rhythms that often repeat in the music industry. He notes with interest the lack of creativity in Latin music and decides to take the initiative:


“Instead of complaining, I decided to create a space for creativity.” The initial influences of the new label emerged


from interaction with musicians from


various backgrounds who are part of Guti’s artistic circle. In this space he has forged, the doors open to a mix of influences of all kinds. Guti relies on the professionalism and spontaneity


characteristic


of jazz musicians who, through improvisations, contribute to shaping the new compositions we can now enjoy. Without worrying about the conventional structure of songs, this open space seeks to distance itself from musical obsolescence and aspires to create “music that endures over time.”


Guti is not seeking personal fame but rather giving a voice to musicians who, like him, challenge


re-established norms. “Offering crazy records


orchestra, or with a jazz band, an releasing several EPs without prior notice, having a different label.”


This vision makes even more sense when you hear Guti talk about other musicians who incorporate


mixmagit.com 49


We are facing the launch of a new label that offers us a musical catalog different from what we are used to hearing, backed by years of study, musical improvisation, and collaboration with professionals far


from the electronic sphere.


Guided by Guti, these musicians offer an unreserved fusion with electronics that will leave no one indifferent. Closing our conversation, Guti shares a meaningful phrase: “This project fills me with enthusiasm, as it arises from everything that has happened before.” In this way, it is clear that his new sound represents a unique commitment to the “New Latin Sound.”


We asked about the possible complexities of merging jazz with electronic music. “For me, jazz is a way of seeing life, it’s not about jazz influences, I'm a jazz musician creating electronic music. Authenticity is key to knowing what is truly new or not.”


Discussing his family influences also sheds light on


Guti's Latin roots. With a family


scattered across various Latin American countries, most of them professional musicians, they contribute Latin rhythms to his productions and the creation of this new label. In addition to providing these opportunities, his family offers unwavering support.


“The reason behind the El Nuevo Sonido Latino is a sociocultural critique of the current moment, where we see very homogeneous music and a loss of Latin American roots. I see a musical culture that is not truly represented in the industry.” It's not just a critique but an opportunity to highlight a much richer


and more varied accustomed to hearing. culture than we are


“Who will you send it to? Who will play it? Your friends might because it’s you, but I’m not looking for that.”


jazz elements into their electronic compositions, exploring rhythms and sounds that break with tradition and struggle to find a record label to fit in.


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