CREATIVITY & LIFE
GNRØ’s perspective on his creative process invol- ves dedicating focused studio time during weekdays, balancing music production with physical activity to clear his mind after intense weekends of gigs. He meti- culously crafts tracks, starting with rhythmic elements and then developing melodic components using minor scales for emotional resonance. GNRØ’s approach to mixing ensures every element finds its spatial place, creating a cohesive sonic puzzle where clarity and im- pact are paramount. He views the evolving electronic music scene positively, despite concerns about com- mercialization, highlighting a gradual return to more nuanced and underground sounds within genres like Hard Techno.
“I am always immersed in a constant search for new references and inspirations to create my music. I am quite a perfectionist and spend a lot of time on each element of a track, which is why I’m not capable of pro- ducing three or four tracks per week like other artists, despite liking the idea. Typically, I spend the initial days working on drums, percussion, and vocal loops to give the track a strong and rhythmic groove. After this, I be- gin composing the melodic parts. I often use minor sca- les because they convey certain emotions that I want to capture in my tracks, even though my knowledge of music theory is quite limited and I rely on trial and error. I struggle against the fatigue of listening to the same loop repeatedly, although working on other projects concurrently often helps me”.
“Mixing is an essential part of this process. I start mi- xing from the beginning of production, but I usually de- dicate time to it once the track is finished because I like everything to sound very clean. To me, a track is like a 3D sphere where you have to place each element in the space it corresponds to: the kick always in the cen- ter, pads and chords with a lot of reverb further back, and vocals and more prominent instruments forward so they can be heard clearly. In essence, it’s like a so- nic puzzle. These songs have many disparate elements, and I want each one to sound in its place, from the most open to the most centered to achieve the impact I desire”.
Regarding the evolution of the electronic music sce- ne, GNRØ sees a positive moment where the genre has gained popularity, though he acknowledges criticisms about the loss of underground essence and the com- mercialization of events. He believes audiences are increasingly capable of discerning different aspects of the scene and anticipates a revaluation of true un- derground values over time. The trend towards higher BPMs in Hard Techno has subtly influenced his musical style, motivating him to create music that is an au- thentic and unique response to prevailing trends.
“I believe we’re in a great moment where electronic mu- sic is leading among the most followed genres. It’s a positive shift, especially considering its past neglect in my country. There’s a noticeable debate about un- derground authenticity versus commercialization, with clubs now favoring visual spectacles and mobile-cen- tric dancing. Audiences are becoming more discer- ning, and I foresee a return to more complex sounds as trends evolve towards faster BPMs, even in my work, moving from 140bpm to 155bpm tracks.”
On a personal and artistic level, pivotal moments such as his debut as a DJ at major events and an accident that sidelined him for three months have been crucial. These events have shaped his approach to music pro- duction and strengthened his determination to achie- ve his goals. He values authenticity in his music and takes pride in delivering distinctive sets that challenge audience and promoter expectations.
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