“I am incredibly grateful to Damian and Airrica for allowing me to remix ‘Cherries’. Putting out a record I love so much in such a magical place as Crosstown Rebels is something I won’t ever forget. I had such a joyful time doing it”.
“I could come up with the typical speech, “You can expect an exciting mix between house and melodic elements, together with a rumbling rolling bass, etc.” but I think we are all tired of that. I’m not even sure if the record is good; I know I love it, but people will have the final say on that. Music is such a subjective thing, too; sometimes artists write something specific in their lyrics, and then people will hear and chant some- thing different. Then, suddenly, the record has another meaning. So I don’t think what I think people can expect matters. That is for them to know, but I guess that is what makes it exciting. We’ll all figure that out toge- ther!”
KinAhau’s journey, from his early days immersed in piano lessons to his club experiences, has shaped his unique approach to music. Through ‘Triple T,’ he de- fies conventional release schedules, offering a deeply personal collection that encapsulates his artistic evolution and raw, unfiltered creativity.
His critical perspective on the current state of the house and tech house scene highlights a desire for innovation and genuine connection with audiences, particularly from his generation. Looking ahead, his excitement for upcoming project, reflects his commit- ment to pushing boundaries and creating music that resonates on a deeper level. KinAhau’s story is one of embracing risk, rejecting the ordinary, and inspiring others to find their voice in an ever-evolving musical landscape.
Text by: Sergio Niño
22
mixmagde.com
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52
