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www.dithGrosadvertlser.cauk Thursday. MarehZ7,2014 V / jliursday, March 27,20M vv^.clkheroeadvertisercoiik I1- I. . .V “', » -
m ’
www.thegrandvenue.co.uk c ; . Box office: 01200421599 ■
ByTontDewhuhst ;
, Portishead’sJim Barr re- - ;. - marked that GetThe Blessing
., were the punk entry when they. • wontheBBCJazzAwardfor
theirmuchheraIdedalbum,uAII i Is Yes"/
:
.^Somebody called us jazz-Zep- ,'pelin and we all eqjoyed that,” ■
■ joked Portishead rhythm mas-
r ter Barr, who formed the Bris- " tolian jazz-rock quartet with
■ Clive Deamer, Portishead’s drummer.’;,
; “When we were given that • ■■■■ ja z z .prize there, was a feel-
Xing that we were intruding on ‘ tiie traditional jazz scene; and somepfthepuHstswrerealittle bitsniffy. We’veplayedgigsand
- - people havewalked out of our ,,jgshows because it wasn’t trad, i
.,over*.>.- r .
.but I think weVe won them • -x.
Get The Blessing wear their jazzcredentialslightlybutdefi-
, antly, and Portishead’s trip hop v Get the Blessing', who w ill play The Grand on Saturday in a collaboration w ith Ribble Valley Jazzand Blues Club.
•; sound is fused deep into their . work.
V ^ u rm u s jcp h ck s an emo- tional punch, and is also read-
.ilyaccessible”Barradded.“We total outsiders.” , Get the Blessing’s latest of
fering w-L’ope, and Antilbp'e - swerves away from their pre
just try and push the bounda- „ ontheroad,but,cruciallvlsal- nes out - but we are definitely mostimproris^
- - “ a ' “Maybe we needed to break byrnSeymeelasiraies
Manchester Road - Burnley - Box Office - 01282 664400 Book online at
www.burnleymechanjcs.co.uk
Friday 28th March 7 30pm Ballet Theatre UK
THE LITTLE MERMAID Tickets: £16/£14
■ X
Monday 14th April 2 30pm -J :V Image Musical Theatre -
THE JUNGLE BOOK Tickets: £6/£5
Wednesday 23rd April.7.30pm
3rd - 5th April 7 30pm and use Burnley Light Opera present
BROADWAY NIGHTS WESTEND NIGHTS
Tickets: £10.50 Thursday £12.50 Friday & Saturday
scol '.c \
vious three albums as it makes ■ use of sounds collected whilst
■ ; .some recording habits, so we did the'albumin an empty pot-
. teiy shop in Wales,” He added. “With nothing written, eveiy-
. thing bn the album came out of four days of improvising. , • “The starting point was often experimentation with
■. -
.Members shooting for the top sound effects, both acoustic:
' and electric, to which a groove would be added, then a tune, or a solo and so forth. It was the
• ; culmination.of four days of re - . .•> cording, three years of gigging
andi2yearsofdrinldngteaand gin.”
^ . f .2 i
* ■ And all of this despite'oth- j3*er. commitmentsfor the Get The Blessing,team, not least:
; Deamer’s recruitment as Radi- ohead’s second live drummer /
- 'a couple ofyears ago. Deamer has also worked with RoniSize'
, : and Robert Plant/and was in- i ' traduced by Radiohead leader Thom Yorke when the super-
. group made a surprise appear ance at Glastonbury. ■ “Radiohead were playing
Kings of Limb, pretty much for . thefirsttime, anditwasincred-
, ible to be involved in that” said Deamer.
' ■ ' J ; ... •, SohowcanGetTheBlessing
jugglethelogisticsbftwbdiffer- entbut very influential bands? “Itcanbe tricky, there’salot going on in all our lives,” said
■ saxophonist Jim McMurchie. • “Iliketothinkthatboththeir
hearts (Deamer and Barr) are with GetThe Blessing. Portis-
tening habits. There are a few
. cornerstones wealladmire and aspire to, especially with com-
; position f Radiohead, Bowie, ..Wayne Shorter, Ornette Cole- ; man-but we’rejust as likely to
refertoabookorafilmorapar- ticularly good meal as a refer- ence point ^
/ ‘
' much more concerned about the emotional impact on the
“When we write,-we’re listenerthanweareonthemu-
sical process for the musician, so we ll often discuss the pur
pose, context and atmosphere. of a tune and what it evokes for us.”
■ • Ribble Valley Jazz and Blues Club and The Grand
present Get The Blessing, The Grand, Clitheroe, Saturday,
Mareh29th(£i4advance,oi2c>o 421599).
headissuchabigoperationthat- theytendtotourinconcentrat- ed blocks of time so Pete Judge (trumpeter) and Ijust work on otherprojectsinthoseperiods. “Weallhaveverydiverselis-
E x t r e m e ly h ig h s t a n d a r d f o r c o m p e t i t io n , A . The winner was Gary
b y K e n Ge d d e s -'
.
www.clith.eroeadvertiser.coiuk .. • 3-Twitter ©clithadvertiser;- •
: / ^ ome stunning .
images were submitted for
: V : ■ : , 1 : .RibblesdaleCamera .Club’s own annual
- competitions, held early this year because the entry
dates of the North-West area competitions are also early.
The monochrome and open
colour projections were judged by the very experienced judge Harry Emmett, of Accrington,. who commented that the qual
ity of the entries was so high that it was difficult to assess .them.
.
He felt his final choices for the top deserved marks close
to the maximum, but people whose images received lower marks should not interpret
that they were significantly poorer. ■ . There were 19 entries in monochrome and not all were black-and-white-sepia and
. cream-coloured images were equally acceptable.
Williamson’s “Panic Room”, with Sue Marsden’s “The : Jazz Trombonist” second. David Conroy’s “Penny for your Thoughts” was third and
Sue was also commended for “Memories”
; Open colour was a bigger
section, with 34 entries. Placed first was Steve
Procter’s “On Key” and equal ’ second were Bob Smith’s
“Blossom” and Ann Moyle’s “Face at the Festival”, while Garry Williamson was third with “Is the Coast Clear?”
Ann Moyle received a
highly commended for “The Last Seat”, while images from Michael Critchley, Ken Geddes, Ann Moyle and
Dean Weaver were all com mended.
Most of the top images can ’ be found on the club’s website
at www.ribblesdalecamera
club.org.uk The club meets at 7-30
on Tuesdays at the Pavilion,
Grindleton, and new mem bers are always made wel-
Baalfs . - JM ■ 'M ' "
Steve Proctor’s “On Key” (main picture) was first in the open colour competition and Sue Marsden’s “The Jazz Trombonist” (inset) was a close second in the monochrome section.
: I : -^ v \ ) V \ 'WL-M r -------------------
An extremely fimny Accidental Death Review: “Accidental Death of
an Anarchist” at the Coliseum Theatre, Oldham
. The Oldham Coliseum’s pro duction of Dario Fo’s “Acciden tal Death of an Anarchist” was very, very funny.
Fo wrote his satirical play in ■ Wobasedonthereal-lifeinci-
’ dent of 1969 when 41-year-old railway worker and anarchist Guiseppi Pinelli “fell” from a fourth floor window of the Milan police headquarters. This English version is an
9th-12th April 730 & 2 30pm Valley Academy present
-4 *
GREASE Tickets: £10
• BEU.-- POSSREITA Tickets: £20 ■ ul .vVr l C'Zonxindj Soon JOE MCELDERRY, BILLY PEARCE, PHIL BEER, THE HOAX,
THE CLONE ROSES, THE SOUNDS OF MOTOWN, OASIS UK, CHRIS & PUI MORE DETAILS E WVW/
.BURNLEYMECHANICS.CO.UK OR 01282 664400
s f ' fW"& ‘a---.
- r,f -i'-advantege of a prnote' brea'or" | v
t!^ *^ p te i^ u r a^ - ,W e can 'create a beipoke\ g'4-~ mcnu'aid have a'range of buffets to surtV *‘->"
t£r&* ft tv i
adaptation by Deborah McAn-
drew.for Northern Broadsides in 2008 and she is to be congrat ulated on making the play so rel evant to Britain today.
The setting is now a police station in Yorkshire and all the
- references are local. -' - The characters are decid
edly British and the wonderful dialogue is contemporary and
full of topical references, which ensures that the satire is main-
. tained and the targets are famil iar to us."
An excellent’cast brought out all
the.Humou’r and had
some incredible physical gags. This was’ a splendid mixture of.-
verbal virtuosity and farce. The police, led by “The Guv”, the DC1
(John Elkington), Detective In spector Pisani (Leigh Symonds) and Constable Two (Matt Con nor) were present at the time of the death. Detective Inspector Bertoz-
zo (Andonis Anthony) and Con
stable One (Matt Connor) were alsointhestation. MariaFeletti (Isabel Ford) arrives to report on the reopened investigation.^
....However
they.are manipu-
Rare sighting of this golden girl
Review: “The Girl of the ■ Golden West”, performed by . Opera North at the Lowry
u The Girl of the Golden
., West” was reputed to be one ■ of the composer Puccini’s fa- ., vourite operas, but is played
Accidental Death of an Anarchist at the Coliseum Theatre, Oldham - latedintoallkindsofaltemative
: stories by “The Maniac” (Jack Lord) who pretends to be the : visitingjudge.
^ : - Jack Lord gave a stunning
comicperformanceas“TheMa- niac”, both in his interactions with the other characters and
in his asides to the audience. The whole production team • combined to produce a great
. evening and had the audience laughingoutloud. : ■ -/ v - •
: On April 17th the theatre is putting on the production of
-Hobson’s Choice which I re- ' : centlyreviewedattheOctagon.
Ifyou missedit there, Itis worth catching in Oldham. • ! PippaMunroHebden
. far less often that his oth er more famous creations. This is hard to understand because it is a fascinating
. story with some lovely, pas- • sionatemusic. . Set in the days ofthe Cali
fornian Gold Rush, it traces the tale of a group o f min
ers, their Sheriff Ranee,
.. who loves Minnie the pistol packing, Bible-reading sa- loon owner, but she falls for
• Johnson who is actually the Mexican bandit Ramerrez. - Director Aletta Collins
and set designer Giles Cradle
/ give us a clever movement ^ from outside into the Polka
. Saloon. There a cast of char- v acters, including Sonora (Eddie Wade); the minstrel '
. ‘Jake Wallace (Gavan Ring) - ■ 'and others, drink,‘gamble ’ and pine for home under
the watchful eye of Nick the
bartender (Bonaventura Bottone). Ashby the Wells Far-
. go agent (Graeme Danby) brings news of the bandits. There is some fine sirig4 ing from all the company. Robert Hayward is a strong - determined Rance/ who descends into alcoholism when he loses Minnie. Rafael
Rojas, the Mexican tenor, is in fine form as Ramerrez, de
veloping well in acts two and
three. LancashirelassAlwyn Mellor, as Minnie, sings both the romantic arias and the dramatic ones with power; The love scenes in'Min-
nie’s cabin are moving. I had* not seen this opera before' and I was enthralled by the
complex score and the vari ety of duets and choruses: -
; Opera North will return'
to the Lowry fit)m Wednes day to Saturday, May 14-17*?}
with “La Boheme”, in a styl- . ish production set’in’ig s o s .1
Paris and directed by PKvl- ~ lida Lloyd. -
-- w - ? . Pippa Munro Hebden
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