Leaving Certificate Ordinary Level – Excellence in English Language and Literature
The seventh stanza opens with the command ‘Take it’. The onion’s white loops are compared to a platinum wedding ring. Although platinum is a precious metal, the image of marriage here is not particularly positive. The word ‘shrink’ brings to mind something – such as love – that may diminish over time and also suggests that marriage can be as restrictive as a tightening wedding ring.
The word ‘Lethal’ stands on its own in the middle of the fi nal stanza, drawing our attention to it. It suggests life-threatening danger – an idea that is picked up again in the fi nal line, when the poet says that the scent of an onion will ‘cling to your knife’. The repetition of the word ‘cling’ gives the impression that a relationship can deteriorate until one or both partners are merely holding on through sheer stubbornness or neediness rather than true love. The fi nal word of the poem is ‘knife’, which reminds us uncomfortably of the violence that can be associated with jealousy and intense emotions.
Language
The language in this poem is not fl owery or romantic. It is straightforward and honest.
The language is direct throughout, even bordering on imperative (giving orders). The poem is written like a dramatic monologue in which we see or hear only one side of the conversation.
Similes, metaphors and symbols are used effectively in this poem to convey the agony and the ecstasy of love.
The speaker says, ‘I give you an onion’, and later tells the addressee that she is ‘trying to be truthful’ as she points out the possible fl aws in love.
The speaker repeats ‘I give you an onion’ and orders the unseen speaker to take the gift: ‘Here’ … ‘Take it’.
The poet uses the extended metaphor of an onion to describe love. It is compared to ‘a moon wrapped in brown paper’. On the one hand, saying ‘I love you to the moon and back’ is a traditional expression of love, but this love is ‘wrapped in brown paper’ suggesting it is more everyday and ordinary than romantic. However, the moon is also associated with Diana – a fi gure from ancient mythology who was worshipped as goddess of the hunt, the moon and virginity. Violence, changeability and love are all present in the poem.
The truth may not be easy to accept, but it is the truth. (If you have seen the fi lm Shrek, then you will be familiar with the symbolism in which the layers of onions are linked to the layers of character and emotions. Shrek explains to his donkey companion that ‘Ogres have layers! Onions have layers!’) Love can change over time, and the image of the shrinking rings of the onion could be linked to a shrinking in the couple’s love or the restrictive, claustrophobic nature of a relationship that is marked by jealousy and possessiveness.
The poet uses similes to express both the joy and heartbreak of love. On the one hand, peeling an onion is ‘like the careful undressing of love’ but it can also ‘blind you with tears like a lover’.
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Poetry
oetry
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