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NEWS


Managing Editor James Parker


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FROM THE EDITOR


I


recently attended a fascinating (and occasionally deliberately ‘jarring’) event looking at the potentially destablising effects of unwanted noise in our environments. Sownd Affects, a leading consultancy in ‘audio inclusivity’ was ostensibly launching an important new acoustics-specifi c certifi cation for projects, together


with Oscar Acoustics. But Sownd Affects founder Marion Marinat, who lost most of his hearing at age 26, also used the opportunity to highlight the damage being done to individuals – and their productivity – by not creating audio-sensitive environments. The stats quoted by Sownd Affects said that “bad” sound was costing businesses £40bn a year, from resulting lost productivity, staff turnover, absenteeism, and “customer attrition.” And this was a “conservative estimate,” said the fi rm in its launch report; potentially not taking into account the huge barriers that noisy, poorly treated or acoustically neglected environments pose to neurodiverse people. While we have long been aware of may older people’s inability to tolerate excessive noise, likely due to losing some of their hearing, we are catching up when it comes to inclusive design which enables everyone to function to their best in workspaces. From offi ces, to retail, education and healthcare, the effects of treating acoustics as a ‘nice to have’ interior design element to be added at the end (if at all), can be not only hard to take from employees’ perspective, but costly to their employers in terms of resulting health impacts. It is a depressing yet somewhat predictable stat that most people (60% of UK adults according to Sownd Affects) are negatively affected by their sound environment. But the benefi ts long-term can be so effective, and affecting, that it’s a shame more employers don’t put more effort in. Sownd Afffects: “Audio-inclusive spaces are ones where conversation fl ows, focus comes easily, and no-one feels excluded or overwhelmed.” Just because it’s invisible, doesn’t mean sound isn’t incredibly pervasive, and more often than not negative, partly as its invisibility leads to it being deprioritised. Yet noise is apparently workers’ number one complaint of their interiors. The speakers at the Sownd Certifi ed launch included long-term anti-noise vigilante and TEDtalk veteran Julian


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Treasure. They used the almost visceral power of audio to agitate as well as calm the audience, including alarms heard at unexpected junctures to bring a reality to the proceedings that was highly effective. Such things in rooms with too-high reverberation and too-little zoning are even more damaging, bird sounds generally aren’t. Sownd Affects worked closely with Oscar Acoustics on the bronze-silver-gold based sound certifi cation system, which fi lls a gap in audio inclusivity standards, and which looks to have the credentials to push specifi ers and clients in the right direction. Hilson Moran and architects dmfk are other consultancies closely engaged with Sownd Effects on the mission to drive a much closer focus on acoustics in new builds and retrofi ts, and bring some quiet to commercial interiors. As Julian Treasure said, “when indoor environmental quality is done well, it makes people happy, but at the same time, we are open planning the entire world, for no apparent reason.” But the most challenging thing is that “everyone is unique, so designing a space for everyone is always a terrible compromise.” There are, however, sound, thoughtful approaches to consider which can help everyone.


James Parker, Editor


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MASON & FIFTH, LONDON West London mixed use by AHMM uses Grand Union Canal to connect heritage with modern co-living


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ON THE COVER... Mason & Fifth Westbourne Park, a 332-unit fl exible living development built on the site of the former headquarters of London’s Licensed Taxi Drivers’ Association. Cover image © Rob Parrish For the full report on this project, go to page 32


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