search.noResults

search.searching

note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
INTERIORS - JOHN BIDDELL


elevating it to a piece of fine art. Taking its name from the Japan’s Taisho era (1912-1926), a time when Japanese aesthetics and craftsmanship fused with western concepts of modernity, Taisho is a digitally-printed cotton mix fabric inspired by traditional Japanese botanical prints.


Brooks is a comprehensive selection of small scale or semi-plain, multi-purpose, jacquards. A book full of really useful fabrics, ideal for cushions, Roman blinds or to cover a footstool. The title fabric Brooks is a versatile, vivaciously coloured small-scale woven fabric named after the iconic ‘flapper’, actress and dancer Louise Brooks. The design was inspired by the works of early 20th century lacquer artists, who combined hammered metal effects with geometric shapes. The fabric is the result of a complex production process, giving the appearance of both beaten metal and inlay.


Oblique Wallpapers is a collection of small scale geometric wallpapers embellished with textured ink, metallic and mica, which not only co-ordinate effortlessly with the Muse Fabrics and Wallcoverings, but would not be out of place in many a chic interior.


The Muse Wallcoverings is a truly splendid book!!! It’s simply packed with stunning and really quite eclectic designs. Wray, originally hand-painted on natural linen using dyes, is a superbly delicate wallcovering, where layers of ink have been carefully overlaid to


create a serene, ethereal landscape. Mountainous shapes have been given form by the natural ink watermarks, while the gold base heightens the subtle twist of colour in the original artwork. Subtle yet powerful, Wray’s gradual ombré effect evokes a sense of depth and height, an artistic expression of tranquil surroundings, creating idyllic scenery for the interior. My description really can’t do this justice. If you want a wallcovering that’s both stunning and relaxing at the same time, you absolutely have to see this !!! The other show-stopping paper in the collection Conway. This glorious rotary-printed geometric design, with its effective use of matt and metallic inks, is a faithful interpretation of a 1930s weave archive document, and epitomises the decadence of the Art Deco era.


But I’ve saved the best til last. The Conway book is a sumptuous array of figured geometric velvets, from which comes the title fabric. Oh my goodness, what a cloth!!! For any Art Deco fan this glorious cut and uncut velvet, also faithfully interpreting the same 1930s French weave archive document as the paper, simply IS Art Deco.


JOHN BIDDELL - JOHN CHARLES INTERIORS 349 Hagley Road, Edgbaston, Birmingham B17 8DL T. 0121 420 3977 www.johncharlesinteriors.co.uk


/ 121


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140