search.noResults

search.searching

note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
spotlight FRANCE’S AIDS BIOPIC


THIS OSCAR CONTENDER IS ALREADY A WINNER by chris carpenter


A number of powerful films depicting the early years of the HIV/AIDS crisis are rightly consid-


ered classics. Parting Glances, And The Band Played On, Longtime Companion andPhiladelphia helped to open the world’s eyes and hearts before there were any treatments for HIV infection. We can now add to this list Robin Campillo’s excellent addition,BPM (Beats Per Minute). The new movie, which is France’s submission in the Best Foreign Language Film for this year’s Academy Awards, is a painfully vivid, but life-affirming and inspiring portrait of the ACT UP movement in early 1990s Paris. A brave group of male and female activists goes to battle for those stricken with HIV/AIDS, taking on sluggish government agencies and major pharmaceutical companies in bold, invasive actions modeled after New York’s ACT UP chapter. The activists, many of them gay and HIV-positive, embrace their mission with a literal life-or-death urgency.


BEATSPER MINUTE


36 RAGE monthly | NOVEMBER 2017 RAGE monthly


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64