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INSIGHTS
You can see the threads going through our work – light and space, modern ways of living, getting the maximum value Ian Hogarth
‘nationality-blind’ – we take the best people regardless of where they come from,” explains Hogarth. All three associates are from overseas – Stella Nikolakaki and Maro Kallimani from Greece and Laurie Maclaren from Canada – and a number of trainees hail from the continent. Moreover, the associates have all either worked at bigger firms including Foster + Partners and ZHA or ran their own practices (or both), but for a variety of reasons chose to work at Hogarth Architects.
Hogarth comments on the trade-offs some staff have experi- enced from working at larger practices: “To do this sort of work may not be as glamorous, but they [the associates] have author- ship on their work – they meet the clients and dictate the direction of the project.” Quizzed on how much design freedom is granted to his employees, Hogarth explains, “We don’t have a house style per se but we all plough the same field,” with some at the practice having a stronger interest in sustainable methods, and others focusing on historic buildings and restorations for example; this diversity bringing a breadth of expertise. “You can see the threads going through all our work – light and space, modern ways of living, just getting the maximum value out of a site or property.” There’s also a focus on nurturing talent within the practice rather than employing ‘ready-made’ professionals. “We tend to train our own [architects], says Hogarth, adding “we take on Part 2s and provide for their training, and in return for we ask them to sign a trivial contract to stay – it’s very rare that we’d actually advertise for a senior position.”
Branching into development
The practice works for private individuals or developers but also for hotel firms, and on restorations and refurbishment projects. “What we do is ‘radical refurbishment’, says Hogarth, “We take a building and do massive structural work to bring in light and volume.” He adds, “On listed buildings we tend to restore and then add modern extensions – we don’t do ‘fake’ old extensions – we like to be able to say ‘this is our work’.”
Another commendable strategy adopted by the practice is speci- fying as standard sustainable solutions, such as heat-recovery ventilation or good levels of insulation. “We ask the client ‘why wouldn’t you do it?’ rather than ‘would you like it?” says Hogarth.
Beyond their work for private clients, the practice is increas- ingly focused on schemes created under Hogarth Architects’
development arm, Hogarth Homes. This includes the development of four brightly-coloured houses on Ash Row in Bude, Cornwall, which are designed ‘upside down’, with double-height living spaces on the top floor overlooking the vast green expanses and the sea, with bedrooms situated on the first floor. Each house is equipped with high-quality bespoke kitchens and staircases, bedrooms with en-suites and terraces overlooking the scenery. “My interest in Cornwall is really just because I’d like to try and test my own beliefs and decisions in the market,” says Hogarth, who is planning to build eight luxury town houses in the area under Hogarth Homes, including one for himself. This will be on farmland in the picturesque village of Poughill on the north Cornwall coast, and each property will be designed to make the most of its setting and equipped with high-end features such as plunge pool and hot tub.
Work in progress
Back in London, Hogarth Architects are working on a scheme just round the corner from their office, transforming an old tyre shop into two modern maisonettes in Estcourt Road, South Norwood. Other schemes include a 55-room hotel in a conservation area in Kensington; a modernisation and extension of a listed building in Primrose Hill, which will benefit from triple-height spaces above the living area and a mezzanine in the loft; a retrofit of a private home, where the architects are remodelling the interiors for open- plan living. Another project in a conservation area is the stone-built Grafton House in Wandsworth, which will be remodelled into four generous flats, with a new basement created and a modern timber/metal-clad extension adjacent to the existing property.
A post-Disco home
Ian Hogarth’s name hit the mainstream when TV show Grand Designs picked Hogarth’s family home for one of its episodes back in 2012. The property, most notable for its ‘disco’ basement, with illuminated floor and club-worthy lighting and audio equipment, became so popular the architect and his wife, Claire Farrow, had organised weekly club nights ever since, which became a victim of their own success, as he explains: “Our nights have outgrown the house – we have to hire a club now.” He adds that the property may have to be repurposed when his children, who were both teenagers when the home was completed, ‘fly the nest’. However, until then, the 2,600 ft2
property is occasionally let
out via home-swapping websites, while Hogarth focuses on his new project in Cornwall, as well as the occasional office outing. “The whole office is going to Cornwall this weekend,” he says. “We’ll do coasteering and some long walks and to talk about the design of the new homes,” Hogarth concludes, affirming the practice’s image of a closely-knitted group of architects with a shared passion for work and life.
HOGARTH ARCHITECTS’ VITAL STATISTICS
Location: Fulham, London Number of staff: 18 Key specialism: Residential Unusual fact: Director Ian Hogarth runs club nights at his Grand Designs-featured Disco House
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ADF JUNE 2017
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