This page contains a Flash digital edition of a book.
DESIGN


Chestnut fl ooring brings comfort to bare feet. Foot rituals remove excess oil to help eliminate staining


softness while the tactile stone surfaces provide a contrast, letting us play with lighting to achieve a sensory ambience.” Arranged across two floors, Aman


Spa comprises a reception, yoga studio, pilates studio, plus eight treatment suites each featuring a dressing room, shower and bathroom, on the upper level. The serene indoor pool on the floor below is positioned to capture the winter sunlight and is complemented by a Japanese bath, steamrooms, changing rooms and fitness centre. In plotting the layout, one of the first things to be located was the entrance and back-of-house to ensure there was no movement of staff and linens across guest areas. “During the design process,


54 spabusiness.com issue 2 2015 ©CYBERTREK 2015


The use of wood and fi ltered light lends warmth and softness while tactile stone surfaces provide a contrast


we actually removed some of the planned facilities so that we could get a better sense of flow,” reveals Payne. Grey volcanic basalt lines the spa’s


walls, chosen by Hill for its calming effect. While a tougher yet tactile granite paves wet areas, its unpolished finish leaving guests less susceptible to slipping. In the treatment rooms, chestnut flooring brings comfort to bare feet and for this tactile consideration, Payne says the challenges of


dealing with oil stains on wood is worth it. Also, foot rituals pre- and post-treatment remove excess oil from the feet.


Evocative experiences While there’s clear functionality, the selection of materials also add a unique Japanese feel says spa manager Yuki Kiyono. In the spa reception, an ancient camphor tree has been carved into a table and is symbolic of temple gardens. Japanese camphor is known for its calming and focusing effect; traditionally the wood was carved into knives used for samurai tea ceremonies. “This bridge to the Zen world is very evocative for our Japanese guests, who identify with


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108