This page contains a Flash digital edition of a book.
Listed Buildings


We take a look at how important it is to respect the surroundings when creating a lighting scheme for listed buildings.


L 36


isted Luxury


Historically significant buildings offer an opportunity for visitors to escape into a moment frozen in time. Illuminating the interior and exterior professionally, allows these buildings to come to life. Preserving the structure of a historic building is important, so lighting systems need to be unobtrusive, discreet and sensitive to the space around them.


Getting involved in the lighting of a listed building can be a very rewarding experience. Mindseye Lighting Design was invited by Matthew Lloyd Architects to provide a lighting scheme for the Grade I listed building that is home to the Royal Society of Arts. Originally designed by Robert and John Adam in 1774, the building needed a little extra attention to bring the original splendor to life. The vision created by the Architect was to produce a state of the art facility that


was sensitive to the original features of the space. This meant that the use of any recessed fittings was prohibited, whilst anything used had to meet the RSA’s requirements for the many different uses of the main function rooms. In particular, a spectacular ‘Great Room’ needed an innovative technology system to relay events via real–time links with audiences worldwide. The Great Room presented a particular challenge for Mindseye, as its varied use for presentations, seminars, weddings and exhibitions required a flexible lighting solution. More importantly, Mindseye had to think about how to light the 18th century oil paintings adorning the walls that have to be kept below 150 lux to prevent degradation. The finished system for the Great Room utilised uplighting from the cornice with both white Lumenpulse lumencove high output LED and KKDC RGB LED strips, which


www.a1lightingmagazine.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84