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The Letterbox

KERMIT AND THE KRIMI


I have spent the past few days plowing through every Rialto Edgar Wallace krimi I can lay my hands on. (Thanks to the Kim Newman article in VW 134, I am now seriously in debt!) One in particular caused my jaw to drop. In THE HAND OF POWER [Im Banne des Unheimlichen], one charac- ter (Ramiro) is bright green— as green as Kermit the Frog! The explanation within the film is that he has a serious illness which has discolored his skin, so much so that his


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own brother hires him as a handy-man, does not recognize him and assumes he must be West Indian, specifically Creole! Having had limited exposure to mid-’60s German film output (not much call for it in Crewe, Cheshire), I am still wearing the same grin on my face several hours after having turned off the DVD player... Is this sort of explanation common within this genre or have I missed something?


I notice that Kim made no reference to this curiosa in his review—perhaps he couldn’t believe his eyes or ears either!


Can I just say that Kim’s Wallace survey was one of my favorite articles in years? It has been a real joy to hunt down and watch a whole new genre I had never seen before! Many thanks for filling in another chunk of my cinema experience; it’s a per- fect example of why VW is so important.


Jonathan Condliffe Essex UK


Didn’t know that Tony Curtis played a Gillman, did you? Janet Leigh shows him the mail in HOUDINI.

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