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The dramatic gravitas of Taylor Holmes is dwarfed by the smiley face charm of TOBOR THE GREAT.


Tobor (Lew Smith), Gadge— whose nickname seems to have been appropriated from Elia Kazan—essentially prays to his machine pal for deliverance. The only thing that prevents this mélange of science, patriotism, family values and a mystic bond between one gadget and another from being a perfect wish-fulfill- ment fantasy is that Chapin’s performance is so shrill (“Gee willickers!”) it’s hard not to have a sneaking sympathy for the guy with the blowtorch. Directed at a clip by SUPER- MAN AND THE MOLE MEN’s Lee Sholem, TOBOR has one clunky metal foot in the serial-style walk- ing refrigerator mode of THE MONSTER AND THE APE, but its sober (if swiftly outdated) space


research milieu, and notion that a robot might be designed for more than lumbering menace, lumps it in with 1950s appliances like Gort, Robbie (who had his own junior pal in THE INVISIBLE BOY) and Gog. It’s endearing if not terribly good—Chapin gives the most enthusiastic perfor- mance (a mixed blessing), while everyone else plays buttoned- down or childish grown-ups as if they knew they’d be lucky to get attention with the gleaming metal-and-perspex Tobor in the film. Era favorites Charles Drake, Peter Brocco, Robert Shayne, Lyle Talbot and William Schallert are also featured, play- ing everything on a kid’s level, with Karin Booth (sadly not the Vargas girl carried by Tobor on


the poster) sensible but barely present as Gadge’s widowed Mom.


Lionsgate’s DVD of this mi- nor but welcome title has no extras, though there’s a nice- looking fold-out poster and optional subtitles in English and Spanish. The Republic logo ap- pears twice, once in lovely color—but the film is function- ally drab black-and-white (no expressionist shadows from Sholem) and academy ratio. Some have carped that the im- age is soft, but outside of minor print damage, TOBOR looks the way it probably always did. Through the misty eyes of 1950s boyhood, it may be ideal; others might prefer THE INVISIBLE BOY.


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