HOTEL REVIEW


– with the unusual privilege of a lift that


stops at every room – gaining ample light from a largely glazed façade: on the street side, Parisian rooftop views, on the courtyard, a balcony across each floor transforms the fire escape into a strong visual presence, like a graphic ladder running down the façade. Apart from two eighth-floor rooms under


the eaves (the smallest rooms but boasting iconic balcony views of Sacré Coeur one way, the Centre Pompidou the other), it is the 13 Hi-Macs rooms in this building that assert the hotel’s identity: creamy-white backlit oval cocoons made of Hi-Macs® artificial stone (composite of acrylic resin, bauxite and natural pigments), chosen for its translucence, ease of maintenance and the ability to thermoform it. “The principal reason behind this room is very simple,” says Natacha Froger, “we had only 16m2


of space, so we wanted to reduce the limits. The curves


mean that there are no visible boundaries and it’s much easier to move around.” The toilet, wardrobe, shower and washbasin occupy the four hidden corners of the room, in a multilayered approach from the sliding doors in the Hi-Macs shell to double electric blinds for daytime privacy and night-time blackout. Froger, whose work has included concept rooms for the Accor group and several Novotel hotels around the world, sought a design that is timeless, in a characteristic mix of technological materials and the familiar. “Guests need to have reference points,” she insists, combining the classical, quality impression and warmth of solid walnut wood and basins and shower tubs in brown nero bagno stone from Italy – “Geoffroy Sciard is a wine grower, he wanted to bring nature into the hotel” – with the surprise of the Hi-Macs: “touching is a form of sensuality. In a small room, you’re inevitably going to brush


100 NOVEMBER / DECEMBER 2012 WWW.SLEEPERMAGAZINE.COM


ABOVE: Guestrooms housed in the eaves of the 18th century atelier building offer views over the Paris skyline


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