This page contains a Flash digital edition of a book.
JURY GRID


THE SCREEN JURY AT CANNES


WE NEED TO TALK ABOUT KEVIN Lynne Ramsay


SLEEPING BEAUTY Julia Leigh†


HABEMUS PAPAM Nanni Moretti


POLISS Maiwenn Le Besco


FOOTNOTE Joseph Cedar


MICHAEL MarkusSchleinzer†


THE ARTIST Michel Hazanavicius


THEKID WITH A BIKE Jean-Pierre and Luc Dardenne


THE TREE OF LIFE Terrence Malick


HOUSE OF TOLERANCE Bertrand Bonello


LE HAVRE Aki Kaurismaki


PATER Alain Cavalier


MELANCHOLIA Lars vonTrier


HANEZU NO TSUKI Naomi Kawase


THE SKIN I LIVE IN Pedro Almodovar


HARA-KIRI: DEATH OF A SAMURAI Takashi Miike


THIS MUST BE THE PLACE Paolo Sorrentino


DRIVE Nicolas Winding Refn


THE SOURCE Radu Mihaileanu


ONCE UPON A TIME IN ANATOLIA Nuri Bilge Ceylan


★★★ ★★ ★★★ ★ ★★★ ★★ ★★★ ★★ ★★★ ★★★ 2.5 ★★ ★★ ★★ ★★ ★ ★★ ★


✖ ★ ★★ 1.5 ★★★ ★★ ★★★ ★ ★★ ★★ ★★★ ★★★ ★★ 2.3 ★★ ★★★ ★★ ★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ A Hollywood stunt driver moonlights as a getaway driver. Ryan Gosling stars with Carey Mulligan and Christina Hendricks. ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★★★ ★★★ ★★ ★ ★★ ★ ★★ ★ GOOD ★★★ ★★ ★★★ x.x


A comedy drama set in a Moroccan village where the women threaten to withhold sex from their partners if they do not fetch water from a far-away well.


Ceylan’s fourth film to premiere in Competition follows a doctor, played by Yilmaz Erdogan, who works on the desolate Anatolian steppes.


★★★★ EXCELLENT ★★★ ★★ ★POOR ✖BAD AVERAGE ★★★ ★★ ★★★ x.x ★★★ ★★ ★★★ x.x ★


An ambitious young academic and his publicity-shy professor father see their simmering rivalry threaten to boil over when they learn one of them is to win a prestigious prize.


★★ ★ ★★ ★ ★★ ★ ★★ ★ ★★ ★ ★★ ★ ★★ ★ ★★ ★ ★★ ★ ★★ ★ ★★ ★ ★★ ★ ★★ ★


✖ ★★ ★★ ★★ ★★ 1.7 ★★★ ★★ ★★★ x.x


First-time film-makerSchleinzer’s feature is about the final months in the problematic relationship between a 10-year- old boy and 35-year-old man.


★★★ ★★ ★★★ x.x


This black-and-white silent feature, set against the backdrop of 1920s Hollywood, follows a silent screen star and a young unknown extra whose fortunes are reversed by the rise of the talking film.


★★★ ★★ ★★★ x.x


The Kid With A Bike follows the relationship between a boy frantically searching for the father who abandoned him, and the young woman into whose arms he literally falls.


★★★ ★★ ★★★ x.x


This complex and philosophical 1950s-set drama, centring around a family with three boys, sees the eldest son witness the loss of innocence. The cast includes Brad Pitt,Sean Penn and Jessica Chastain.


★★★ ★★ ★★★ x.x


House Of Tolerance explores life in a Paris brothel at the beginning of the 20th century. Adele Haenel, Alice Barnole and Céline Sallette star.


Kaurismaki returns to Competition with the tale of a shoeshine who chances on a stowaway child hiding in a container which arrived fromAfrica.


Pater features the director Cavalier and actor Vincent Lindon in a series of vignettes, mixing fiction and reality and revolving around the theme of the return of the prodigal son.


★★★ ★★ ★★★ x.x ★★★ ★★ ★★★ x.x ★★★ ★★ ★★★ x.x


The Danish director makes his 11th appearance in Cannes with this beautiful movie set during the end of the world. Kirsten Dunst, Charlotte Gainsbourg,Stellan and AlexanderSkarsgard, KieferSutherland and John Hurt star.


★★★ ★★ ★★★ x.x


Kawase’s third film in Competition is a Japanese contemporary drama which looks at humanity against the broad sweep of time, from ancient civilisation to the present day.


★★★ ★★ ★★★ x.x


An eminent plastic surgeon becomes obsessed with creating new skin. The horror-thriller reunites theSpanish auteur with his Tie Me Up, Tie Me Down star, Antonio Banderas.


A tale of revenge, honour and disgrace, centring on a poverty-stricken samurai who discovers the fate of his ronin son-in-law, setting in motion a tense showdown of vengeance against the house of a feudal lord.


★★★ ★★ ★★★ x.x ★★★ ★★ ★★★ x.x


Former Cannes jury headSean Penn stars as a rock star in retirement in Dublin who hunts down the Nazi responsible for his father’s execution.


★★★ ★★ ★★★ x.x


WANT TO SEE IT? SCREENINGS START PAGE 45


Majestic Barriere, 1st floor, Suites Joy and Alexandre, 10 Boulevard De La Croisette, 06400 Cannes


EDITORIAL Tel (33) 4 97 06 85 35


Editor Mike Goodridge (mikegood@ earthlink.net)


Head of news Wendy Mitchell (wendy. mitchell@emap.com)


Reviews editor MarkAdams (mark. adams@emap.com)


US editor Jeremy Kay (jeremykay67@ gmail.com)


ReportersSarah Cooper (sarah. cooper@emap.com), Geoffrey Macnab (geoffrey@macnab. demon.co.uk), LizShackleton (lizshackleton@gmail.com), Nancy Tartaglione (nancy@tartaglione. biz), Andreas Wiseman (andreas. wiseman@emap.com)


Group head, production and design Mark Mowbray (mark.mowbray@ emap.com)


Sub-editors Loveday Cuming, Paul Lindsell, David Longworth, Jamie McLeish, Danny Plunkett


Screenings Kelly Gibbens,Oliver Bone, Ian Sandwell, Vi Luu


Photography Andrew Ross, www.andrewross.biz


Production managers David Cumming (david.cumming@emap.com), Jo Lambert (jo.lambert@emap.com)


Managing director and group editor Conor Dignam


ADVERTISING Tel (33) 4 97 06 85 37 or (44) 7595 646 541


International advertising manager Andrew Dixon (44) 7595 646 541 (andrew.dixon@emap.com)


International account managers Ingrid Hammond (33) 610 885 354 (ingridhammond@mac.com) Pippa Johnson (64) 21415 644 (pippa@newworld.net.nz) Nadia Romdhani (44) 7540 100 315 (nadia.romdhani@emap.com) Gunter Zerbich (44) 7540 100 254 (gunter.zerbich@emap.com)


VP salesNorthAmericaNigel Daly (1) 213 447 5120 (nigeldalymail@ gmail.com)


Festival manager Mai Le (44) 7710 124 062 (mai.le@emap.com)


Publishing assistant and events co-ordinatorStephanie Geisler (44) 7711 095 513 (stephanie.geisler@ emap.com)


Senior commercial director Alison Pitchford (alison.pitchford@emap. com)


Printer Riccobono Imprimeur ZA Les Ferrieres, 83490 Le Muy


Screen International subscription enquiries Tel (44) 1858 438 847 Fax (44) 1858 461 739 sci@subscription.co.uk


† Eligible for the Camera d’Or


NICKJAMES Sight & Sound, UK


DAVID STRATTON The Australian, Australia


DEREK MALCOLM London Evening Standard, UK


JAN SCHULZ-OJALA Der Tagesspiegel, Germany


JOSE CARLOS AVELLAR Escrevercinema.com, Brazil


DENNIS LIM The New York Times, US


MICHEL CIMENT Positif, France


ALBERTO CRESPI L’Unita, Italy


BO GREENJENSEN Weekendavisen Berlingske, Denmark


SCREEN INTERNATIONAL


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86