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FEATURE


in demand to do this on farms and in gardens all over the area for much of his working life, and still traps moles today. At Kindrogan, with no television or other long winter nights were spent


entertainment,


working with wood, and making crooks using tups’ horns. Cameron’s skills as a craftsman were now coming to the fore and it was not long before this passion led him to start his own busi- ness making things. But fi rst he had to fi nd a base from which to work. The crumbling, historic Toll House on the side


of Loch Tay, under the brooding shadow of Ben Lawers, became available. Previously piled high with rotting hay and used purely as a temporary shelter for passing tinkers, it was also inhabited by hens and rats. Right on the roadside, where a constant stream of traffi c up and down the loch would bring many visitors, it seemed the perfect location. Cameron had the chance to acquire it and, after much hard work, gutted the place, and the shambles was turned into an immacu- late cottage with workshop and showroom. The tinkers were less impressed. ‘They used to call in and jokingly told me that I had spoilt it. One of them was a real character and he


passed with


‘Antlers had to be kept for a year to dry out before being used, but the cow’s horn needs very different treatment’


a Labrador-type dog sitting in a basket on the front of his bike.’ During the peak of his time working as the


‘Horn Carver of Lawers’ with his wife Martha, Cameron Thomson used over a ton of antlers every year. The antlers were acquired from stalk- ers in many of the local glens, but the best ones came from Crainanour, at Rannoch. ‘Aye, the stags there produce dark, tarry antlers with lovely white points, just right to suit my job,’ Cameron explains. In the small workshop adjacent to the house,


Clockwise from right: In the workshop; the perfect pair of antlers to work with once they are shed; one of Cameron’s carvings; pictured in his workshop.


Cameron Thomson’s incredible creativity took fl ight. He made a vast range of items from antlers, including lamps and light fi ttings, crooks and whistles. Pendants were intricately carved with all that symbolises Scotland, including the monarch of the glen, a leaping salmon, an eagle, a thistle. Using leather straps, little carved pieces were sewn on to make unusual bracelets. Much of the antler was used to make fi ne


steak and carving knives, the blanks (knife part) made of fi nest Sheffi eld steel. Using sheep and cow horn, other treasure was made. Antlers had to be kept for a year to dry out before being used,


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