National Theatre of Scotland “The Strange Undoing
of Prudencia Hart” Friday & Saturday, April 8 & 9 at 8 pm Sunday, April 10 at 2 pm
$35
“Terrific, inventive sense of fun.” —The Scotsman
The Strange Undoing of Prudencia Hart, created by David Greig (writer) and Wils Wilson (director), is an evening of anarchic theater, live music, and strange goings-on as Prudencia Hart, an uptight academic, sets off to attend a conference in the Scottish Borders. Inspired by the Scottish border ballads—and delivered in a romp of rhyming couplets and wild karaoke—Prudencia’s dream-like journey is moving and amusing, with plot twists unfolding in and around the audience. The Herald raves, “You shouldn’t miss this show for the world. Rambunctiously life-affirming and touchingly beautiful.”
Sponsored by James E. Robison Foundation Media Support from Seven Days
Evelyn Glennie & the CEL Orchestra Monday, April 11 at 7:30 pm
$40/$33/$25
“She took a drum and made it come alive with drumsticks that appeared bewitched.” —Shropshire Star
An intense and astounding live performer, Evelyn Glennie is master of more than 1,000 percussion instruments from around the world and has performed with countless artists ranging from Japan’s Kodo drummers to Björk. Profoundly deaf since the age of 12, the percussionist identifies notes by vibrations she feels through her feet and body, “moving from station to station with the litheness of a dancer” (New Zealand Herald ). Glennie concludes her time spent working with Vermont’s Community Engagement Lab (CEL) with this performance, as she performs both solo and with the young people in the CEL Orchestra. In Conjunction with the Vermont Community Engagement Lab
Sponsored by and Media Support from 101-The One, The Music You Love and Vermont PBS 21
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30