This book includes a plain text version that is designed for high accessibility. To use this version please follow this link.
Off-Site Venues


ILLUMINATIONS, DISNEY WORLD convn.org/epcot-off-site Many people would describe their Disney World experience as “magical,” but the park takes magic to a whole new level at the IllumiNations: Reflec- tions of Earth fireworks and water show in the Epcot theme park’s World Showcase. Frequently used for smaller private events, the viewing areas “[are] special, reasonably priced, and a fabu- lous experience,” said Shonna Shroedl, vice president of events at Kikaua, LLC. And Disney staff are known to be excep- tionally accommodating. “Disney is by far one of the easiest venues to have a meeting or event,” said Shroedl, who organized a 40-person event in the fire- works viewing area. “Their customer service is outstanding.”


ACL LIVE AT THE MOODY THEATER, AUSTIN, TEXAS acl-live.com/venue Austin City Limits Live at the Moody Theater is a unique venue in a city where live music is king — a reimagin- ing of an iconic piece of Austin’s music roots with an immediate connection to the authentic soul of the city. ACL Live is home to the PBS program “Austin City Limits” and is an official SXSW venue. “ACL Live is a beautifully state-of-the-art facility with a specific focus on the fan/guest experience,” said Nicole Portwood, brand manager of Fifth Generation Inc., which held Tito’s Handmade Vodka’s 2011 Hometown Shindig at the theater. “Everything from the first impression walking up the stairs to the number of bathrooms ensures that everyone has the best pos- sible experience.”


52 PCMA CONVENE AUGUST 2012


EMBASSY OF THE RUSSIAN FEDERATION, WASHINGTON, D.C. russianembassy.org A stark building reminiscent of the Soviet era takes guests back through history at the Embassy of the Rus- sian Federation in Washington, D.C. Second-floor banquet rooms are furnished in the style of the Russian Empire — with authentic furniture, art, and artifacts from Peter the Great and the Romanovs. “Entering the rooms truly transports the guests into another era,” said Teri Jarvie, CMP, CAE, vice president of member programs for Association Forum of Chicagoland, who once organized a 600-person international meeting of oral surgeons at the embassy. And while there were logistical issues, including security, “it was worth the extra work to see the delight on the faces of the guests as they entered these rooms.”


CIPRIANI 42 STREET, NEW YORK CITY convn.org/cipriani-42nd


Described as “quintessential New York,” Cipriani 42nd Street in Mid- town Manhattan was the perfect backdrop for the American Academy of Pediatric Dentistry’s final dinner at its 2012 Annual Session. The black-tie- appropriate restaurant is decorated with Italian Renaissance–inspired


marble columns and chandeliers, requiring very little décor for events held there, including corporate func- tions, fundraisers, and parties. “Guests marveled at the room upon entering,” said Tonya Almond, AAPD’s director of meeting services. “[And they] enjoyed themselves so much we actually had to extend the party, because nobody wanted to leave Cipriani’s.”


CAPILANO SUSPENSION BRIDGE, VANCOUVER capbridge.com One of Vancouver’s most popular tour- ist attractions, the Capilano Suspen- sion Bridge was built in 1889. Millions of people have crossed it since then. Situated in a West Coast rainforest and spanning 450 feet across the Cap- ilano River, the bridge is “an amazing venue to complement a Vancouver experience,” said Tahira Endean, CMP, director of creative and production for Cantrav Services. The bridge area can accommodate groups from 30 to 700 in a variety of settings — including a pri- vate garden where visitors dine under trees as the river rushes below, and CLIFFWALK, where guests can take a cliff-side trek on high, narrow sus- pended walkways through the canyon.


PCMA.ORG


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116