iN COMpETiTiON
The Krzysztof Kieslowski Award The Emerging Filmmaker Award The Maysles brothers Award for
Howard Feinstein Mike Goodridge Jeffrey Abramson Mike Plante James Faust
The Krzysztof Kieslowski Award The Emerging Filmmaker Award is
best Documentary Film
for Best Feature Film, established
presented to a first- or second-time
The Maysles Brothers Award for
in 1989, is presented to a feature-
director without US distribution.
Best Documentary Film is presented
length film that reflects the artis-
annually by Albert Maysles to a
tic sensibilities of the late Polish
feature-length nonfiction film
director.
without US distribution.
Basil Tsiokos Stephanie Reuler Daniel Junge Laura Thielen
The Krzysztof Kieslowski Award The Emerging Filmmaker Award The Maysles brothers Award
for best Feature Film for best Documentary Film
y
As senior vice president of film
i
ON
howard Feinstein practiced for Gen Art, Jeffrey Abramson James Faust is director of programming
i
T architecture before attending graduate oversees all film events, at the DALLAS Film Society. A graduate
school in cinema studies at New York programming, and content creation of cinema studies at SMU who also holds
E JUR
ET
University. He has taught film at for audiences and sponsors in New degrees in telecommunication/theatre
h
p universities in the New York area and York, Los Angeles, San Francisco, studies from Texas Tech, Faust began his film
T
served as researcher and publicist for Chicago, and Miami. He also consults career as a grip on Armageddon. He went
the Department of Film at the Museum and cultivates marketing and on to a start a local production company,
of Modern Art. After a stint as film business development relationships producing several Emmy-winning campaigns,
editor at the Village Voice, he began with brand and film industry and cofounded the erstwhile Deep Ellum
i
N COM
writing for such publications at the partners. Previously he served as Film Festival. Today, he also serves as an
Guardian, Vanity Fair, Out, Filmmaker, a market research associate at associate programmer for the Austin Film
indieWIRE.com, Detour, and Screen. Miramax Films, where he worked on Festival, Lone Star Film Festival, and Texas
Feinstein also programs the Panorama such hits as Shakespeare in Love, Life Black Film Festival, which honored him this
and Panorama Documentaries sections Is Beautiful, and The Cider House year as Filmmaker of the Year.
as well as directors’ retrospectives at Rules.
Daniel Junge is a documentary filmmaker
the Sarajevo Film Festival.
focusing on social justice issues. His feature
Mike plante programs films
debut, Chiefs, won Best Documentary
Since 2007, Mike goodridge has been for various festivals – including
at the Tribeca Film Festival; his second,
the US editor at Screen International CineVegas, Sundance, and Off Plus
Iron Ladies of Liberia, aired on over 50
and
Screendaily.com, based in Los Camera in Kraków; writes about
networks worldwide. And his third, They
Angeles. He became the editor in chief films for Cinemad and Filmmaker;
Killed Sister Dorothy, aired on HBO and was
of Screen International and Screendaily. and makes his own films – really
short-listed for an Academy Award for Best
com in October 2009 and will be based slowly.
Documentary. Most recently, Junge, who has
in London as of January 2010.
won several regional Emmys, has made The
Colorado native Stephanie
Last Campaign of Governor Booth Gardner
basil Tsiokos has been a programming Reuler began her career as a
for HBO, also short-listed for an Oscar.
associate of documentary features for script reader while attending USC.
the Sundance Film Festival since 2005 After graduation, she worked in
Executive director of Aspen Film since 1995,
while also serving as a consultant for development for a producer at
laura Thielen has also served as program
filmmakers, offering project feedback FOX and then became an agent
director for the San Francisco Film Society
and advice on festival strategy. Tsiokos at Innovative Artists, where she
and San Francisco International Film Festival
was the executive and artistic director discovered and signed writer/
and worked for both Francis Ford Coppola’s
of NewFest: The New York LGBT Film director Chris Nolan (Memento).
Zoetrope Studios and the Pacific Film
Festival from 1996 to 2008 and has She is now happily working as an
Archive. With more than 30 years in media
curated at the Jacob Burns Film Center, independent producer/writer/
arts, Thielen has served on several panels
the Miami Gay & Lesbian Film Festival, filmmaker/manager and has several
and juries, including those of the National
and Germany’s touring Verzaubert Film projects in development.
Endowment for the Arts, the Rockefeller
Festival. He is a graduate of Stanford
Foundation, and the Sundance Film Festival.
University (BA) and New York University
(MA).
42 43
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168 |
Page 169 |
Page 170 |
Page 171 |
Page 172 |
Page 173 |
Page 174 |
Page 175 |
Page 176 |
Page 177 |
Page 178 |
Page 179 |
Page 180 |
Page 181 |
Page 182 |
Page 183 |
Page 184 |
Page 185 |
Page 186 |
Page 187 |
Page 188 |
Page 189 |
Page 190 |
Page 191 |
Page 192 |
Page 193 |
Page 194 |
Page 195 |
Page 196 |
Page 197 |
Page 198 |
Page 199 |
Page 200 |
Page 201 |
Page 202