To see a greener world
tchiing hour
wa
takes great vision…
the
zombies of Mass Destruction
USA
Ever since George Romero brought the horrors of Vietnam so close to
Director: Kevin Hamedani home in his 1968 classic Night of the Living Dead, the zombie has stood
Producer: John Sinno (make that lumbered) a trusty metaphor for the fears of modern-day
Screenwriters: Kevin Hamedani,
society. Using Romero’s model, director/cowriter Kevin Hamedani exam-
Ramon Isao ines the realities of post-9/11 American life in our funny bones (among
Cinematographer: John Guleserian other body parts) as it does so, ZMD takes us to the once supposedly
MS: A to Z
Editor: Andrew Mcallister
idyllic hamlet of Port Gamble where, without warning, zombies have
il
Cast: Janette Armand,
begun to take over.
Doug Fahl, Cooper Hopkins, Bill Johns,
E F
Russell Hodgkinson
Running for her life is Frida, an Iranian-American young woman
h
T
2009 / color / 90 min. whose Walmart-loving neighbors deem the zombie influx a terrorist
plot – perpetrated by her. On her side are Tom and Lance, a gay couple
who have ventured here to come out to Tom’s mother – a scenario that
probably would not have gone well even if she hadn’t been mauled by
KEVin haMEDani
flesh eaters. Local politics, meanwhile, are getting as ugly as the undead
Washington native Kevin Hamedani
menace, what with the conservative mayor up for reelection against
completed his first feature, Clothes, at
age 18. In 2003, while attending the
an ecofriendly female hippie and the local minister preaching that the
University of Washington, Hamedani
zombies are all sinners – and that he and his followers will be spared
completed two more features, their messy fate. When the bloody dust settles, who will remain – and
Bookends and The Unfinished Novel
will they be pro–health care?
by the Man Who Ate Himself, and

founded his production company, Razi
Films. After graduating with honors,
Hamedani (himself Iranian-American) has said that ZMD is inspired by
he went on to produce, direct, and
his experiences in Seattle in the wake of the attacks on the World Trade
edit promotional videos for artists such Center, when even friends turned on him in suspicion and fear. It was
as Bollywood star Chadana Dixit and
time, he decided, that America remember the truism that sometimes
companies all around the world.
there’s nothing more fearful than fear itself. Let the gore-spattered
healing begin.
Sponsored by:
Loveland • Denver, Colorado • 800-833-4263
www.visiongraphics-inc.com
156
Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168  |  Page 169  |  Page 170  |  Page 171  |  Page 172  |  Page 173  |  Page 174  |  Page 175  |  Page 176  |  Page 177  |  Page 178  |  Page 179  |  Page 180  |  Page 181  |  Page 182  |  Page 183  |  Page 184  |  Page 185  |  Page 186  |  Page 187  |  Page 188  |  Page 189  |  Page 190  |  Page 191  |  Page 192  |  Page 193  |  Page 194  |  Page 195  |  Page 196  |  Page 197  |  Page 198  |  Page 199  |  Page 200  |  Page 201  |  Page 202