special programs
special programs
Young Filmmakers
Who has the Write Stuff? WoMEn + FiLM: Diversity Through
Workshop Screening
the Decades – a Panel
Doctors keep them stashed in drawers, lawyers The diverse professionals – actors, directors, and S
Each summer the Denver Film Society provides
dream of selling theirs, and legions of fledgling producers – on this year’s WOMEN + FILM panel
l
a unique opportunity for aspiring filmmakers to
scribes hope they’ll discover the secret to fashioning will discuss, among other things, how their artistic
immerse themselves in the world of moviemaking.
them from scratch. We’re talking about screenplays, choices are influenced by social issues, how they get
Over the course of two weeks, participants learn not
ANE
seen by many as gateways to a creatively satisfying their films made, and what changes they foresee in
p
only how to watch and interpret film but also how to
and lucrative career in movies. Taking a cue from the future of their industry. Independent and for-
plan, write, shoot, and edit their own short works.
Peter Hanson’s documentary Tales from the Script, eign filmmakers seem to be making great strides in
The shorts in this 38-minute package, which comprise
our panelists will examine their calling with all its depicting diversity in all its forms, so why do women
a free screening, were made during the summer 2009
frustrations, triumphs, and rewards. They’ll tell today comprise only 16 percent of all directors,
workshop.
us about the potential gaps between script and executive producers, producers, writers, cinematog-
Lights, Camera, Failure! directed by Ivy Buchanan,
screen. They’ll consider the writer/director relation- raphers, and editors working in Hollywood – down
Jess Culp, Teddy Hamstra, Laurel Klafehn,
ship, citing examples from their own experiences. from 19 percent in 2001?
Patrick Lynch, Anthony Nguyen, Ry Feder Pruett
Most of all, they’ll let us know whether having the
write stuff is enough to get a screenplay off your
Panel:
Sucks to Be You, directed by Garen Chucovich,
desk and into the theater.
Anna Sophia Robb, 2009 SDFF Rising Star Award
Reed Robertson, Eugene Vessels, Aaron Wolfe
recipient; Sarah Siegel-Magness, producer, Precious;
Have You Scene? directed by Jaleel Herbert,
Panel: Eva Sánchez López, director, One for the Road; Emily
Bryce Hubenthal, Robert Scott
Steven Peros, director, Footprints; George Kunstler, director, William Kunstler: Disturbing the
Hickenlooper, director, ‘Hick’ Town; Hue Rhodes, Universe; Dixie Carter, actress, That Evening Sun;
Blood is the Almighty Sin, directed by
director, Saint John of Las Vegas; Peter Hanson, Robin Bronk, producer, PoliWood, and executive
Hank Desroches
director, Tales From the Script director, The Creative Coalition
Unshelved, directed by Mark Naff, Johan Sigg,
Moderator:
Moderator:
Nicholas Walker, James Weber
Robert Denerstein
Karina Longworth, freelance film and new media
Escape, directed by Luis Angeles, Salvador Flores,
critic/blogger for
Spout.com and cofounder/former
Brenda Ontiveros
editor of
Cinematical.com
Sponsored by:
Sponsored by:
186 187
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168 |
Page 169 |
Page 170 |
Page 171 |
Page 172 |
Page 173 |
Page 174 |
Page 175 |
Page 176 |
Page 177 |
Page 178 |
Page 179 |
Page 180 |
Page 181 |
Page 182 |
Page 183 |
Page 184 |
Page 185 |
Page 186 |
Page 187 |
Page 188 |
Page 189 |
Page 190 |
Page 191 |
Page 192 |
Page 193 |
Page 194 |
Page 195 |
Page 196 |
Page 197 |
Page 198 |
Page 199 |
Page 200 |
Page 201 |
Page 202