“I think I learned to understand these things from classical music. I had a lot of education about how to listen to music, and how to listen to what the composer intended. How some parts of a symphony are supposed to be energetic and other parts leave space to fill in yourself.
How sometimes an instrument can take the upper hand, but is supported by another instrument that has to take a step back. It’s dynamic and that’s what makes it interesting to listen to. This is something I strive to do in my sets and productions too. I want to tell an interesting story that is worth listening to and like in classical music, I want to make people feel things. Which is in my case to feel happy, energetic, alive, and bass-face powerful when they listen to my sets. Empower them to have the best night of their lives”.
NIJMEGEN´S TECHNO SCENE
Nijmegen, with its vibrant techno scene, provided the fertile soil for Locus Error’s artistic growth. Immersed in platforms like SoundLab, she
found a community of like-minded
individuals who shared her passion for electro- nic music.
“Nijmegen has played a huge role in my life. When I started DJing I found out there was a DJ and producer student association (Sound- Lab) in Nijmegen. When I found out about this association I immediately joined. I got to meet like-minded people that I connected with and I think I became a board member 4 months later, and stayed one for 2,5 years. It was a great way to nerd out about electronic music and have new friends with the same mindset to go to parties with”.
“By being a board member of Soundlab, I got in touch with a lot of people from the scene in Ni- jmegen. This was during coronavirus times and we tried all we could to give people a stage, even though it was an online one. For one of our events, I got the opportunity to record a set in Door- nroosje. After
this set was recorded, I was
approached by the talent agent of Doornroosje. He asked me if I wanted to join a program that supports upcoming DJs in Corona times. Wi- thout any hesitation, I joined this program and I played on some radio stations, amongst which Open-Source Radio”.
It also led me to meet Darko Esser aka Tripeo. A scene veteran who supported and believed in me from the very first day. He is a man of great integrity and great musical wisdom, and I am learning a lot from Tripeo every day (music sce- ne-wise and production-wise). He asked me to join his label and event: BALANS.
48
mixmagnl.com
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58
