search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
GET TO KNOW


Rancido has been a key figure in the fusion of the- se styles, and his return to music after an emotional pause demonstrates not only his passion but also his resilience. Below, I share with you what we discussed during our conversation.


One of the most fascinating aspects of Rancido’s ca- reer is his longevity in an ever-changing industry. I as- ked how his approach to production has evolved over the years, especially with the rise of genres like Afro House and Melodic Techno.


“My approach changes every second, day, week, year,” he said, laughing.


He explained that he is constantly seeking new combi- nations, which has made finishing his original music a longer process nowadays.


“As for the changes between genres, I like it. It keeps my ears fresh, and I try to mix the two genres whene- ver possible. Right now, I’m more focused on the African side of House music, specifically the 3 Steps rhythm, which allows me to return to my original production forms, combining Afro, soulful, and tech.”


We also talked about ghost production, a hidden but influential part of the music industry. I wanted to know how this facet of his career has shaped his musical journey and whether it has affected his visibility as an artist.


“It has shaped me so much that now I know how to pro- duce something for someone else,” he revealed.


Although he admitted this experience gave him valua- ble insights into styles and personalities, he also re- cognized a cost:


“I put all my energy into it, which takes time away from making my original music.”


Regarding visibility, he added,


“It didn’t help at all. People are afraid to say they paid someone to produce their music, which I find strange. They should own up to it; there’s nothing wrong with that.”


When discussing changes in the electronic scene over these 20 years, Rancido pointed out a trend he finds worrying: music driven by hype.


“Everything is hype-driven,” he said. “I would love to see more originality in artists, DJs, and producers. Everyone can get a sample pack and make music like so-and- so… I’d like to see people do it differently from what al- ready exists.”


RETURNING TO THE SCENE AFTER DEPRESSION


One of the most revealing moments of our conver- sation was when Rancido openly discussed his battle with depression, a difficult stage in his life that took him away from music for a while. I asked how that ex- perience was and how he found the strength to return to the music scene.


“It was something that was going to happen,” he said honestly.


“I always relied on others for feedback, wanted to be liked by everyone, and didn’t know how to say ‘no’ when I should have.”


That need for external validation, combined with the lack of recognition in his work as a ghost producer, led him to a breaking point.


However, what motivated him to return was his son, Kainoa.


“Thanks to him, I got the vision to come back and pro- vide for him in the best way possible, through music,” he shared.


He also mentioned that finding his own voice and lear- ning to speak up for himself was key to his recovery.


When I asked if his time away changed his perspective on the industry or music production, he responded,


“For a while, but that changed when I realized this is what I’m meant to do.”


Today, back in music, Rancido feels renewed and ex- cited.


“I’m happy to be back, I feel fresh and passionate again,” he said.


“It’s easier now to connect with the audience because I’m being authentic. I have a different approach when it comes to DJing and producing. I’m no longer in it for the hype or fame; music is who I am.”


RELEASES AND REMIXES FOR ICONIC LABELS


Throughout his career, Rancido has released music and remixed for renowned labels like Innervisions, De- fected, and Vega Records. I wanted to know how he approaches creating a track for such influential labels and what his creative process is when working on re- mixes for artists like Black Coffee.


mixmagde.com 23


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72