search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
068 FOCUS


Right Dichroic Blossom showcases Jason Bruges Studio’s ability to bring the world’s of art and science together. Reminiscent of a number of natural phenomena, from the branches of a tree to the connections made between synapses in our own bodies, this work evokes an emotive response


Client: Guo Rui Real Estate Development Company Ltd.


Location: Beijing, China Year: 2014


Media: Periscope LED light engines, bespoke mirror optics, bespoke dichroic crystals, IP camera, control system


Dimensions: 14.25m x 10m x 0.30m


Far right Liquid Crystal plays with the similarities between the flowing of water and the flowing of people through a space. Its individual panels transmit and reflect light at varying degrees, resulting in a shimmering effect. The work is a great example of the studio’s mission to use technology to help truly achieve artistic intent


Client: Henry B. Gonzales Convention Centre, PASA


Location: San Antonio, Texas, USA


Year: 2016


Media: LCD panels, custom electronics, steel frame, 3d printed components, sensors, terrazzo plinth.


Dimensions: 10m x 1.8m x 1.8m


Living sculptures


Operating at the creative cusp between art, architecture and technology, Jason Bruges Studio marks its 20th anniversary this year. Jill Entwistle talks to him about people, data and nature, and how his primarily light-based artworks influence the way spaces are inhabited


OVER RECENT DECADES there has been a healthy dismantling of pigeonholes in art, architecture and design. Perhaps most notable has been the erosion of the barrier between art and technology. Bifurcated by an education system that drove people down either the arts or science channel, the disciplines had come to be seen as inevitably requiring a different mindset and skill set. Studios such as that founded by Jason Bruges in 2002 have rather blown that thinking out of the water. JBS bills itself as ‘a pioneer of the hybrid space between art, architecture and technology’. Bruges’s roots are in architecture, but he has branched out into fertile, futuristic


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149