052 FX TALKS
Who outside the industry can architects and designers learn from?
We should be learning from anthropologists, social scientists and urban sociologists as ultimately we need to understand better the society that we are designing for. With this comes the replacement of a one-size-fits-all approach to design with a more holistic view where projects can truly benefit a community. Aligned to the global climate crisis, we should also learn more from experts in climate change, exploring new ways to make our cities future-proof and resilient.
What will lead the way for more radical thinking in your/our field?
Unequivocally, it is the discussion around never demolishing or building another new building again; the most sustainable building is the one that is already exists. Te production of concrete, steel and other materials is hugely detrimental to our planet – we must adopt the principals of recycling and repurposing underutilised assets if we are to create a sustainable future for generations to come.
Could you recommend a book/article/blog that inspired your thinking? Tactical Urbanism by Mike Lydon and
Anthony Garcia. Tactical Urbanism, also known as DIY Urbanism, Planning-by-Doing, or Urban Prototyping, is a new movement that is defined by action. Te approach refers to a city, organisational and/or citizen-led approach to neighbourhood building that uses short-term, low-cost and scalable interventions to catalyse long-term change.
Could you name something that you consider radical design of the time, or perhaps still to this day?
Beth Chatto’s revolutionary concept of ‘dry gardens’ formed a blueprint for enabling green sustainable landscapes despite increasingly hot summers and dry winters. Tis is particularly important in areas like the
Above Post-war architecture still represents an optimistic urban renewal based in affordability and social cohesion
Left Mike Lydon and Anthony Garcia’s book Tactical Urbanism explores the value of short-term action and its positive effects on urban landscapes
Middle East where many of my projects have been based. Her principle of placing the right plant in the right place was revolutionary at her time and is still valued today.
I think best with…
With a pencil or pen in my hand, finding a quiet moment where I can sketch, focus my efforts in solving a problem or come up with a new design solution before sharing with friends and colleagues.
I think best … (e.g. first thing in the morning/ last thing at night)
Generally my best ideas come late at night, after I have considered multiple aspects of an issue and the brain almost magically connects the dots.
I think best when… (e.g. in a gallery/at home/outside/over drinks/with friends/ on the bus)
As architects we are used to working in groups. It is through the process of sharing your ideas and incorporating feedback that the best ideas and projects can be conceived. It is incredibly satisfying to be amongst colleagues, letting minds and creativity flourish.
ROLAND MAGNUSSON /
SHUTTERSTOCK.COM
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149