search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
026 REPORTER


Dorsal House


The first Passivhaus THISS has been commissioned to build is a six-bedroom new family house in East London. The Passivhaus specialism is a new and compelling avenue of inquiry for the practice, which, say Hanke and Scott, brings a new level of innovation to its current and future projects. Applying the specialism will extend beyond residential applications into commercial and public buildings.


PoliNations


Say Hanke and Scott: ‘This was a huge project for us as part of UnBoxed festival 2022. We’re part of Trigger Collective...who brought a mass participation event to Edinburgh and Birmingham. It will take the form of a gigantic immersive forest garden, with a huge mix of co-grown and co- sown flowers, trees and plants under the umbrella of eight huge super tree structures that provide shade and water.’


WORDS BY EMILY MARTIN


ONE TO WATCH THISS


House for a Jewellery designer A collaboration with jewellery designer William Cheshire sees an update to a Victorian attic flat in Hackney and features hand-crafted unique finishes by the owner. ‘It was important to highlight these details through new space and light in the renovations,’ explain Hanke and Scott. The new space features a discreet sunken volume: a low level of the floor gave generous ceiling heights for a new bedroom and bathroom space with access to a sunken roof rear terrace.


Who Tamsin Hanke and Sash Scott are founding partners and directors of London- based architecture practice THISS. The practice designs spaces from houses to public artworks, shops, and one-off spatial objects. The duo are lecturers at London Metropolitan University and the Bartlett. They met while studying for their master’s at the Bartlett and first collaborated when fabricating a table for their final year summer show. ‘We started doing work informally from about 2014, then set up the practice in earnest in 2018,’ they explain. Their first commission was to design the flagship shop for The School of Life in Bloomsbury with work going from strength to strength: ‘We have just become Passivhaus certified [which is] a really exciting avenue for us. The Passivhaus principle is a simple set of tools for optimising


the thermal performance of a building design. The end goal is to create a building that consumes as little energy as possible, both during the build and when in use.’


Why Hanke and Scott say that they are motivated by adventure. Scott cycled from Stoke Newington to India, unassisted, and Hanke once lived just south of the arctic circle. They say: ‘We hoped that collaborating would help us to find if this was a mindset that could exist within architecture, and how we could bring this into the daily spatial experience of buildings. We try to make adventure, possibility and invention a grounding part of collaboration with each other and with our clients.’


Where thiss.works


ALL IMAGES: THISS MIDDLE LEFT: AN ARTIST RENDER OF POLINATIONS, COURTESY OF TRIGGER COLLECTIVE, THISS AND CARL ROBERTSHAW


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149