6


REPORTER 17 7


9 8


10


6


Gilded Age by Peter D’Ascoli for Jaipur Rugs Jaipur Rugs has collaborated with designer Peter D’Ascoli to create a range of seven hand-knotted rug designs ‘inspired by the opulence of Hollywood Regency and the timeless charm of pre-war Parisian flea markets’. Using Bikaner wool, the designs incorporate chintz florals, wild cat patterns, paisleys, and neoclassical motifs. jaipurrugs.com


7 Terra by OEO Studio for Mater


Mater has launched its first lighting collection crafted from its patented waste material, Matek, which combines recycled post-consumer e-waste from damaged or unwanted electronic devices from the UK and Germany with coffee shell waste from Danish-based BKI Foods. Each lamp contains up to 303g of waste materials. materdesign.com


8


Hatton Stool by KI


Engineered for everyday use, the Hatton Stool is available in both high and midi back options, and comes with a seat height of 760mm. Stacking up to five units high, the Hatton Stool is available in seven pastel and muted colours, including Iron Grey, Ash Grey, Purple Haze, Flannel, Powder Blue, Moss Green and Rose Blossom. kieurope.com


9


Sen by Yabu Pushelberg for Leolux Yabu Pushelberg and furniture designers Leolux have


collaborated on a lounge chair that appears to spring to life from a fountainhead. Sen is a sculptural form with two inverted ‘U’ silhouettes that evoke ‘the rhythmic movement of cascading water’ as it flows up, down, and side to side. leolux.com


10 Terrae x AMDL Circle by Mirage


Mirage has launched Terrae x AMDL Circle – a collection of ceramic surfaces – in three main lines. Atmo is a contemporary reinterpretation of the Italian tradition of ceramic tiles, Idro is ‘a surface of delicate intimacy, characterised by soft nuances’, and Lito is a tribute to the architectural tradition of ‘moucharabieh’ reinterpreted in a contemporary way. mirage.it/it/en


5. PHILIP VILE


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101