search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
FOCUS 061


brief to serve up a fresh new personality with bold new colours and graphics.


What does the future hold for hospitality design in the short and long term?


Part of me wants to say authenticity is key (I probably always will). However, I also think that people also want escapism and just a fun experience out. Te diversification of hospitality is getting broader and more and more we are asked to design environments which provide escape. People want to be taken somewhere different and novel. It could be an original 1970s cafe, a Lower East Side dive bar, a hibachi restaurant with cabaret, bingo in a fisherman’s shack or just an old-fashioned pub.


Escapism in design works if it is genuine, and we’ll see more creative iterations of this as brands try to achieve it.


What recent project presented a particularly interesting or unusual design challenge? For their first new Bounce venue since the pandemic, State of Play Hospitality wanted to make a statement with a fresh design concept that stood out in the hospitality sector. Tey turned to us to develop a complete, new brand transformation for the opening of Bounce Battersea, with a


Above and below The design for Bounce Battersea ‘takes inspiration from the ping pong parlours of days gone by, fusing that sense of after-dinner party lux/glamour with the more athletic competitive nature of the sport today’


Te design for Bounce Battersea takes inspiration from the ping pong parlours of days gone by, fusing that sense of after-dinner party lux/glamour with the more athletic competitive nature of the sport today. Tat’s why we carefully paired fluted timber panelling with the sharpness of polished concrete and dark red ceiling sports hall demarcation. We build on this further with layers of texture and interest with the use of penny tiles and grid line pattern fabrics. As soon as people enter the space, we want them to grasp the sense of tongue-in-cheek fun that plays out in little discoverable surprises throughout, but at the same time feel relaxed with the subtle touches of lux. As well as being a place to play hard and compete in this new home of ping pong, it is a home from home, where people can equally relax and feel at ease and possibly spoilt. Te design was not without its challenges. Working within a listed building always presents some kind of challenge. But with Battersea Power Station – which is such an iconic building, inside and out – it is fair to say we had to work within quite a few restrictions. Would we call these challenges? Possibly, at times. More so, it made the design process a particularly interesting one where we had to think of creative work-arounds to still produce the distinct designed look and feel we were aiming for. Battersea Power Station is known for its brutalist, industrial architecture but the challenge we faced was how this married up to the athletic sport of ping pong. Te answer was to bring out the sports hall auditorium feel of such a huge space, and incorporate the quirky features of the building into the overall designed elements. In the end, we relished the building’s features and sought creative ways to make them relevant to the Bounce brand, bringing in tongue-in-cheek ways of incorporating fun elements. shed.design


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133