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THOUGH YOU MAY BE READING this in early spring, deadlines dictate that I am writing it in that liminal time between Christmas and New Year, looking forward to the year ahead, and particularly to hosting two panel discussions at the Surface Design Show in February. T eir topics are very dear to me. One is on the repurposing of old buildings. T e other is on sourcing locally – being determined to minimise environmental impact by taking care of how and from where you resource your schemes.
It was in the preparatory conversation for this latter talk, with architect Richard Penman and interior architect and designer Camilla Leech of Element Studios, that some really tough problems were revealed for UK-based designers in trying to source locally and well. One was the shortage of local makers and crafters to provide the services required, from joinery to upholstery. T is skills shortage is caused by an education system whose recent mission, it seems, has been to devalue
or eliminate exposure to and experience of working with your hands – underpinned by an economy that has outsourced almost all its manufacturing elsewhere. But there is also the impact of Brexit, which has not only driven away many of the talented crew who had fi lled in that particular gap, but also made sourcing materials and skills considerably more expensive – exacerbated by crises in Russia and China, the former apparently the source of most of
BRIEF ENCOUNTERS
Combining vintage with contemporary is a great way to prioritise quality, character, and the ability to source locally. But media values have a huge role to play in influencing customer taste. Veronica Simpson reports
MARK COCKSEDGE
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