search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
PROJECT REPORT: SPORTS & LEISURE FACILITIES 41


a focus on soft colour palettes, with warm materials and exposed timber instilling a sense of tranquility and relaxation,” explains Gowdridge. “In more active areas, signage and colour palettes are more vibrant, while still retaining optional private and quieter spaces.”


The facade design took inspiration from the locality. The overall approach was to make sure the building would make the most of its parkland location and blend public and private spaces, “to create an inviting environment and active frontage where the community can meet, play and exercise,” says Gowdridge. “The design embraces its parkland setting – drawing on familiar forms, colours, structures and materials – blending public and private spaces to create an active, welcoming frontage.”


The site is tightly constrained, so the design team came up with a “stacked” layout to make the most of the 9,000 m2 footprint. This allowed them to include 3G football pitches and community gardens on the roof and not lose space elsewhere on the site, maximising the area available for the leisure facilities. This also responded to concerns at the consultation stage about the impact that pitches would have on biodiversity, access routes and fl ooding. The materials used externally are textured brickwork, glazing, timber louvres and metallic panels, all of which “harmonise with the surrounding landscape,” Gowdridge explains. The brick, timber louvres and glazing were chosen due to their durability and connection to the character of local buildings, as well as their ability to provide both shading and privacy. “Large windows are framed with encased glazing and timber shading, balancing performance and privacy with architectural expression,” he adds. The metallic panels were selected due to their robustness and to make a strong contribution to the centre’s “visual identity.”


Precise construction The Eclipse centre was built using a bespoke ‘hybrid’ CLT structure designed by Engenuiti, which had benefi ts of being light weight while reducing embodied carbon. Parts of the structure have been left exposed including CLT soffi ts which, along with exposed glulam beams in the pool hall and communal areas, “lend warmth, clarity and a sense of craft to the internal spaces,” Gowdridge says. These natural materials


ADF SEPTEMBER 2025


feature alongside a palette of muted tones and soft textures, adding to the “calm and welcoming atmosphere.” The CLT structure was used alongside prefabricated elements which helped contractor Willmott Dixon improve the necessary precision for attaining Passivhaus certifi cation. Airtightness was a crucial priority during design and construction – though managing this while designing high-humidity spaces was a challenge, admits Gowdridge. The phased delivery also proved tricky to navigate and meant careful sequencing during construction was essential. As well as focusing on airtightness and precision during construction, other measures undertaken to achieve Passivhaus – in addition to high insulation


PROJECT FACTFILE


Architect: GT3 Architects Main Contractor: Willmott Dixon Structural Engineer: Engenuiti Passivhaus Consultant: Gale & Snowden Client: Spelthorne Borough Council Cost: £50m


WWW.ARCHITECTSDATAFILE.CO.UK


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84