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Friday, January 18, 2019 3:15‐4:15 PM


Interest Session ‐ Forum G (3rd Floor) Dave Lawson: Repair Made Easy. Learn How to Repair Basic Issues with Simple Ingenuity


Attendees will learn how to do professional level repairs without the cost of professional tools. Learn how to un‐stick tuning slides, fix that floppy key, replace the headjoint cork that keeps falling out, plus more. Attendees are welcome to bring their own instruments for repair (if we have time).


3:30 PM 4:30 PM


4:30‐5:30 PM 7:00‐9:30 PM


Lobby Performance: Troy University Trombone Quartet/Octet Lobby Performance: Jemison High School Brass Quintet Exclusive Exhibit Hour ‐ Sheraton Birmingham Ballroom


AMEA General Session ‐ BJCC Theater AMEA Awards


University of Alabama Women's Chorus ‐ Marvin Latimer, Conductor Alabama Intercollegiate Band ‐ Col. Lowell Graham, Conductor


Saturday, January 19, 2019 8:00‐9:00 AM


Interest Session ‐ Forum A‐B (2nd Floor) Kyle Weary: Equipping the Versatile Singer ‐ Teaching Vocal Registration


Teachers across the globe face the problem of teaching popular musical styles without performance experience or knowledge of pedagogical methods and resources that are available. In this lecture/demonstration, topics discussed will include Contemporary Commercial Music (CCM) pedagogical techniques, safe vs. unsafe vocal production and a short teaching demonstration.


8:00‐9:00 AM


Interest Session ‐ Forum C (2nd Floor) Gretchen Windt: We're Off to Chez Maxim's: Operetta Arias for the Developing Singer


My session will involve three topics: 1) A brief history of operetta charting its origins in France and subsequent development in Vienna, London, and New York. 2) A brief discussion highlighting the benefits of operetta repertoire for younger singers: technical challenges, character development, and foreign language study often bridging the gap from art song to opera arias. 3) A presentation (audio and video clips and possibly live performances) of recommended arias for study for each fach (soprano, mezzo, tenor, bass) including specifics regarding range, tessitura, and vocal challenges.


8:00‐9:00 AM


Interest Session ‐ Forum D (2nd Floor) Meghan Merciers, Sam Merciers, Whitney O’Neal, & Tracy Wiggins: We CAN Make This Up: Teaching Improvisation in the Concert Ensemble Setting


Improvisation is one of the core tenants of music education standards in the United States. It is currently presented most often to students in jazz idioms and styles. Unfortunately, that tends to keep many students that are not involved in jazz from being involved in improvisation. This session will introduce concepts and approaches that will allow directors to develop improvisational skills in concert ensemble settings.


8:00‐9:00 AM 8:00‐9:00 AM


ABA Business Meeting ‐ Forum Auditorium (2nd Floor)


Interest Session ‐ Forum J (3rd Floor) Beth Ann Hepburn: Clap Your Hands! Songs and Rhymes Using Body Percussion


You are an instrument! Discover engaging body percussion uses in the elementary music classroom using original Orff Schulwerk resources and folk materials. Use body percussion for student composed works and ensemble building skills.


8:00‐9:00 AM


Interest Session ‐ Forum K (3rd Floor) Valerie Diaz Leroy: Why We Dance: Celebrating Cultures through Movement in the General Music Classroom


Movement activities are a natural ingredient to a successful lesson. But have you ever considered movement as a vehicle for cultural connections? In this workshop, attendees will unpack connections to history, geography, and social and emotional learning (SEL) through movement activities to classical, folk, and contemporary pieces. Movement instruction and analysis will help guide teachers through the steps of teaching traditional and original dances as well as learning to create movement opportunities appropriate for students at all levels!


25


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