dimensionality, but the shape is vaguely triangular but elongated and narrow, and the natural color, therefore strongly characterizing. The choice of the Artist is to intervene with the sign that is punctually symbolic and therefore able to communicate. It therefore seemed appropriate to propose a dialogue built on the symbol / mask, and I chose masks made with equally characterizing materials, such as plant fibers of Oceanic masks, mushrooms, yak dung, metal and terracotta of Nepalese. Dialogue art, indeed dialoguing in the sense that thanks to the power of matter and the sensitivity of the Artist what was "before" - or rather what always exists because hinged into the depths of our thinking - re- emerges to involve us in the mysterious and continuous interaction with the beauty that art gives to everyday life.