118 DECORATIVE & DESIGN / PRODUCT Clerkenwell
Design Week LONDON, UK MAY 22 - 24 2012
The design community in and around the Clerkenwell district of London threw open its doors at the end of May as part of a three day ‘week’ of events showcasing creative talent. The Familoe Building once again acted as a hub for the event, its dusty Victorian elegance providing the perfect back- drop for a selection of high-end design brands, whilst a few streets away The House of Detention offered a more youthful bazaar of products. The real beat of the event was to be found in the streets between the two as showrooms and practices of varying disciplines invited the public to talks and demonstrations of their work.
www.clerkenwelldesignweek.com
C1 and C2 LifeSpaceJourney
Presented at Clerkenwell by Matilda Design, these simple-yet-elegant light- ing solution from LifeSpaceJourney work well as an eyecatching multiple installation (using one or both styles). They also offer a non-intrusive - but high impact - solution for confined spaces.
www.lifespacejourney.com
Scraplights Graypants
There’s a honeycomb beauty to the scraplight collection from graypants. Created by laser-cutting layers of salvaged of corrugated cardboard, each piece creates a lively interplay of light and shadow - and instills the user with a warm glow of doing right by the environment.
www.graypants.com
Caravaggio Matt Lightyears
Available in 165, 257 and 400mm diametres, these new pendants have a completely matt finish, adding a depth and tangibility to the well-known and elegant design, imbuing it with a warm, cosy feel. The delicate white and greys are finely balanced and interact neatly with each other.
www.lightyears.dk
Maxi Pendant Suspension Anglepoise
The Maxi Pendant Suspension is part of the Duo range, launched to celebrate Anglepoise’s 80th anniversary. Its shade is double the size of a standard Anglepoise model. With its suspension feature, ceiling fixing, fixing ring and wired details, this large scale pendant creates a powerful visual impact.
www.anglepoise.com
Clearcut Lamp 9 Across
Inspired by the literature and cross- words of Georges Perec and the Surre- alist’s love of serious play, automatism and chance, Amy de Wit and Ornella Stocco took a crossword from a newspa- per and used it at as the generator of a series of objects. Through a process of word association the clues and answers of the cryptic crossword provided a se- ries of instructions: actions (Clearcut), qualities (Deadweight), descriptions (Tow Coloured) or entire narratives.
www.across9.com
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168