This page contains a Flash digital edition of a book.
128 GUIDE - Theatrical lighting


ADB | ALC4-2 www.adblighting.com


The unique modular ALC4 LED luminaire, with its range of four interchangeable reflectors and barndoors, is capable of use as a cyclorama light, side light, footlight or anywhere requiring evenly spread areas of light. It delivers a brilliant palette of one million internally mixed fringe- free colours, including pure yellow and soft amber, and seven white light presets from 2,700K to daylight 6,500K - plus a new continuous white feature that allows you to select a precise colour temperature or morph smoothly between different white values. The unit combines the equivalent light output and colour rendition of conventional 1kW tungsten halogen lighting fixtures with the advantages of low power consumption and reduced carbon footprint of LED technology, and the dynamic colour mixing of LED luminaires. The unit produces no waste and there are no possible safety issues from lamp glass splinters. The generated light beam produces no degrading ultraviolet or uncomfortable infrared wavelengths, and, thanks to a unique mixing chamber, the ALC4 LED modules offer a perfectly homogenous light output with no coloured shadows. The flicker-free light output is well suited for broadcast applications. Seven calibrated colour tempera- tures are selectable via remote DMX control for consistent image quality. The unit is compact and self-contained, and can easily be moved around the venue.


B&K BRAUN | SQUARELED AUTHENTIC 200 www.b-und-k.de


The SquareLED Authentic 200 is equipped with a 200W LED module, which has a running time of 50,000 hours. It is controlled directly on the device by DMX512. The viewing angle can be adjusted manually by using a spindle steplessly from 10° to 60°. In the radiation angle of 10° the unit achieves with ease the brightness of a 800W halogen luminaire. With a wider radiation angle (40°) it approaches more and more to the performance of a 1kW spot. Thanks to the 190mm wide, specially developed fresnel lens the image of the beam is very homoge- neous. The unit controls between 40°C and 45°C using two sensor-controlled and very silent fans. By using special software, the dimming curve is patterned to the dimming curve of a conventional halogen headlight, which is extremely important by mixing LED spotlights with conventional halogen spotlights. Because of the perfect thermal management of this LED luminaire, the heat problems in television studios are a thing of the past. The Authentic 200 is the right choice for any professional who is ready to contribute at a higher initial investment to the climate protection, but understands that in the long term they will save resources, money and manpower.


BRITEQ | STAGE PAINTER 12 www.beglec.com


Briteq’s Stage Painter 12 is the perfect colour painter for small applications where discrete installation is required. Equipped with a double bracket, the Stage Painter 12 can be used truss mounted or floor projected. It has twelve 3W tri-colour LEDs, which is enough output to paint any wall, stage, backdrop or ceiling. The tri-colour technology guarantees a perfectly smooth colour mixing, free from any unwanted colour spots. Briteq also integrated the white balance adjustment for a perfect projection of white. Stage Painter 12 can be controlled by DMX (3, 6, 9, 12 or 15 channels) or in standalone and master / slave modes. The internal temperature controlled fans make it suitable for use in a silent environment.


CHAUVET | CHAUVET LED FOLLOWSPOT 75 & 1200 www.chauvetlighting.com


Chauvet LED Followspot 75 is a powerful, compact and lightweight fixture capable of projecting a saturated spot of light in nearly any direction. It includes an adjustable zoom for variations in projection size, a separate focus adjustment to create a soft or hard edge, and a single gobo slot to project crisp patterns. Powered by a 75W white LED, LED Followspot 75 includes seven colours plus white, available at the push of a button or by using three channels of DMX control, and all the features of a traditional followspot without the heat and lamp changes needed in the past. A manual iris and 14º to 20º zoom range allow for variations in projection size to create the perfect beam for any performance. Super smooth dimming simplifies professional fading and an extremely fast electronic strobe delivers silent operation. Chauvet Followspot 1200 is a six-channel 1.2kW followspot that features push-button access to a blackout shutter and two colour wheels, one with eight dichroic colours plus white and one with a CTC filter (3,200K) plus frost. It also features a variable electronic dimmer, variable mechanical iris (4º - 38º), and variable mechanical focus. All features are easily controlled from the back of the unit or by DMX. Followspot 1200 also comes with a tripod that keeps it steady on uneven surfaces and a sturdy road case.


www.mondodr.com


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140